The Smithsonian has a good reminder about the links between design and history, about how time can seemingly erode the politics behind an aesthetic movement, about the relationships between images and texts, about how Italian futurism may still look cool but came from a group of sexist and at least partially fascist men.
“He believed it a privilege and a shame that his race and nationality gave him the chance to come and go from lands where a guillotine blade seemed to dangle forever over the local citizens.” Denis Johnson's longtime Esquire editor Will Blythe pens a remembrance of the writer for The New York Times. See also: our own Sonya Chung's recommendation of Johnson’s celebrated short story collection Jesus’ Son to a friend some years back. “I know it will knock him out," she wrote. "It does (of course).”
Next by James Hynes has been named the winner of The Believer Book Award, and it was announced Friday that Thomas Teal’s translation from the Swedish of Tove Jansson’s The True Deceiver took home the Best Translated Book Award. The book was competing with a shortlist of ten novels in translation.
"Their reporting led to Mr. Weinstein’s firing and set off a national conversation about the prevalence of sexual assault and harassment." New York Times reporters Jodi Kantor and Megan Twohey will publish a book with Penguin Press about the recent sexual abuse and harassment allegations that have rocked the country. From our archives: Hannah Gersen's essay about seeing and hearing women in film.
Ian Crouch writes for The New Yorker about a new version of The Sun Also Rises, which gives readers a peak into Hemingway's drafts and revisions. Crouch believes that by reading these drafts carefully, one can pick out a "minor manifesto" that "conceives of a book with greater intellectual and artistic ambitions than Hemingway ever produced." In the words of Hemingway's character Jake Barnes, "Isn''t it pretty to think so?" Pair with our own review of the latest edition of The Sun Also Rises.
"How are their vacations? Do they inspire envy in a way that’s beguiling, or merely crass? Are they eating in the right places?" In the past year, 30 billion photographs were uploaded to Instagram; 80 million go up every day. On the iPhone as camera lucida. Related: the pornification of food.