The Smithsonian has a good reminder about the links between design and history, about how time can seemingly erode the politics behind an aesthetic movement, about the relationships between images and texts, about how Italian futurism may still look cool but came from a group of sexist and at least partially fascist men.
Remembering Marinetti
Dark Imaginings
Heading to London in the near future? Stop by the British Library’s new Terror and Wonder, which bills itself as the UK’s biggest Gothic exhibition in history. To whet your appetite, you can read this Guardian piece by Neil Gaiman, in which the Sandman author names Mary Shelley’s Frankenstein the apex of Gothic fiction. Related: our own Hannah Gersen on Frankenstein and the “Year Without a Summer.”
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Details on the Film Adaptation of Emma Donoghue’s Room
On Twitter, Room author Emma Donoghue breaks the news that Brie Larson will star in the film adaptation of her 2010 novel, and that the script will be written by Donoghue herself. (Related: our own Edan Lepucki reviewed the novel soon after it first published.)
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The Will to Climb
The Seattle Times reviews The Will to Climb by Bainbridge Island mountaineer Ed Viesturs (with David Roberts), which chronicles what it takes to climb Annapurna, a particularly challenging Himalayan peak. Viesturs appears tonight at Town Hall Seattle.
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Tuesday New Release Day: Thompson, Stephenson, Adiga, McGinniss, Silverstein
New this week: Craig Thompson’s long-awated follow up to Blankets is here. Stay tuned for our review of Habibi later this week. Also new: Neal Stephenson’s Reamde, Aravind Adiga’s Last Man in Tower, Joe McGinniss’s much leaked exposé The Rogue: Searching for the Real Sarah Palin, and a new, posthumous collection of Shel Silverstein’s poetry and drawings, Every Thing On It.
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