The Smithsonian has a good reminder about the links between design and history, about how time can seemingly erode the politics behind an aesthetic movement, about the relationships between images and texts, about how Italian futurism may still look cool but came from a group of sexist and at least partially fascist men.
As you may have heard, Twitter went public last week, which means a lot of people are trying to figure out just what its IPO means for social media. Over at n+1, Benjamin Kunkel proposes that social media, by its very nature, cannot be profitable, and thus should be administered by the state as a public good.
“The rest of the morning went like that. We did synchronized clapping. We did active listening. We did a role-play exercise in which I was a girl waiting for a bus and Karloff was a masher, but when I started flirting back, she didn’t like it. I got four more cups of coffee and felt brokenhearted when my bottle gave up its last drop.” Philip Marlowe attends a court-mandated women’s studies workshop.