The Smithsonian has a good reminder about the links between design and history, about how time can seemingly erode the politics behind an aesthetic movement, about the relationships between images and texts, about how Italian futurism may still look cool but came from a group of sexist and at least partially fascist men.
Remembering Marinetti
If You Have to Ask
“It’s like a massive piece of denim, and with that denim you can make something really cool. You can make a jacket, you can make some cool jeans, or you can make a cushion or a cover.” When The New York Times decides it wants to define “punk,” you’d better get ready for some cringe-worthy responses. Here’s a Millions piece on Viv Albertine, author of Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys and no stranger to punk rock.
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Feather-Light Chime
In the spirit of yesterday’s noise/silence-conscious Curiosity, here’s a piece from Granta Magazine that offers us a sneak peek at Helen Oyeyemi’s writing playlist. Spoiler alert: Led Zeppelin didn’t make the cut.
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Form of the Future
“For our readers, time is the precious commodity they invest in every book they decide to purchase and read. But time is being ground down into smaller and smaller units, long nights of reflection replaced with fragmentary bursts of free time. It’s just harder to make time for that thousand-page novel than it used to be, and there are more and more thousand-page novels to suffer from that temporal fragmentation.” Tor.com on why novellas are the form of the future.
After The Wire
The first teaser trailer for Treme, The Wire creator David Simon’s new series, has been making its way across the Internet.
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Wilkinson on Larsen
At the Washington Times, Emily Colette Wilkinson reviews Reif Larsen’s The Selected Works of T.S. Spivet.