Jeff Desom created a stunning time-lapse composite of Alfred Hitchcock’s classic film Rear Window in which you can see the events unfold chronologically from a single vantage point. More details on how Desom did it can be found on his website.
New at The Point: an incisive look at Don DeLillo’s Cosmopolis that calls it “the most prescient American novel of the past fifteen years” and asks,”is it possible to mount any meaningful resistance to capitalism on the level of culture?” The latest print issue features this essay as well as a symposium on privacy, and will be launched at a release party in Hyde Park on Saturday night.
Leigh Stein‘s writing has appeared in places such as DIAGRAM, H_NGM_N, and Dzanc’s Best of the Web 2010. She also has a weekly column for The Faster Times. Her debut novel, The Fallback Plan, will be released next January by Melville House. Publisher’s Weekly thinks pretty highly of it.
Year in Reading alum Susan Orlean’s next book will be entitled The Library Book. It will be “a love letter to an endangered institution, exploring their history, their people, their meaning and their future as they adapt and redefine themselves in a digital world.” The book will focus in particular on the unsolved 1986 razing of the Los Angeles Central Library.
The “grande dame of the Beat Generation” has died at age 90. Carolyn Cassady passed away last Friday near her home in England. She was the inspiration for Camille, Dean Moriarty’s overburdened second wife in Jack Kerouac’s On the Road. Yet Cassady was a writer in her own right and published two books, Off the Road and Heart Beat: My Life With Jack and Neal, about how the Beat Generation was misunderstood.
“It’s easy to attribute genius to a dead man, a legendary philanderer, liar and self-mythologizer who died beautiful and curly-haired. But ‘What About This’ is an authentic outpouring like a warm river in full flood; you get swept off the bank and its languid physicality destroys you.” On Frank Stanford’s Collected Poems.