After last week’s NYT “Room for Debate” feature, ostensibly in answer to the question of why so many adults read YA fiction, Roger Sutton at the Horn Book took umbrage at the panelists’ only partial engagement with the question. In the end though, he makes his own position clear: “I don’t worry about adults reading YA novels. Read what you want.”
“She was to me and so many poets an exemplary and inimitable figure. And I mean to emphasize the tension between ‘exemplary’ and ‘inimitable’—what her example taught us was the necessity of going our own way, of being one with others.” Ben Lerner remembers C.D. Wright, who passed away earlier this week.
For a boy wizard whose saga ended six years ago, Harry Potter is in the news a lot lately. The Chosen One got a makeover by Jim Kay, and now J.K. Rowling is working on a stage play based on Potter. Don’t expect a stage set of Hogwarts because the play will focus on Harry’s early years at 4 Privet Drive.
Rejection is something all writers face and no one’s pretending it’s pleasant, but worse than the rejection itself are the hours spent deciphering where a submission went wrong. Thankfully Lincoln Michel at Electric Literature was inspired by a 1920s rejection slip to create a self-explanatory “thanks but no thanks” note. While we’re thankful these aren’t the norm, we can definitely see the appeal…
“I try to edit my work in different states of mind. So I’ll go running on a really hot day and then read the 2,000 words I just wrote. Or if I’m upset, or really sleepy, or if I’m drunk, I’ll read this stuff. If you’re sleepy and you find yourself skipping over a paragraph because you’re bored by it and just want to get to the interesting part, it comes out. Those different states of mind are a really interesting filter.” Writing advice from Sebastian Junger.
Not familiar with Zora Neale Hurston or just need to brush up in preparation for her birthday? Liz Dwyer has got you covered. “Through the #MeToo movement we’ve read the stories of how calling out sexual harassment and the patriarchy has ruined women’s careers. Similarly, Hurston was shunned and derided by many of her male compatriots in the Harlem Renaissance for creating one of the first strong, black, and sexually aware female protagonists of 20th century American fiction.” Hooked yet? After you finish, read this essay by our own Jeffrey Colvin on visiting Zora’s birthplace and his sister.
Out this week: Devil on the Cross by Ngũgĩ wa Thiong’o; Void Star by Zachary Mason; Sunshine State by Sarah Gerard; Double Bind, edited by Robin Romm; Often I Am Happy by Jens Christian Grøndahl; and Cave Dwellers by Richard Grant. For more on these and other new titles, go read our most recent book preview.
“The rest of the morning went like that. We did synchronized clapping. We did active listening. We did a role-play exercise in which I was a girl waiting for a bus and Karloff was a masher, but when I started flirting back, she didn’t like it. I got four more cups of coffee and felt brokenhearted when my bottle gave up its last drop.” Philip Marlowe attends a court-mandated women’s studies workshop.