Lucy Madison asks how the 25 National Magazine Award nominations went to 25 male writers and discovers it may be because fewer women write long-form journalism, “particularly at those publications that tend to get nominated for National Magazine Awards.”
“It is a sad irony that the snake’s rattle, which functions as a warning device, is widely regarded as a bellicose drumroll, or war-cry, instead. It may well have been in a mood of remorse for having killed a rattlesnake on impulse that [William] Bartram, vowing solemnly that he ‘would never again be accessory to the death of a rattle snake,’ painted his marvelous portrait of a coiled rattler.” Christopher Benfey on Rattlesnake Island, a sanctuary set up to protect the woodland serpents from their greatest danger — us.
Our own Emily St. John Mandel gives a glimpse of her life on the road. “I’d been on tour for so long that I had to take a picture of my hotel room door every time I checked into a new place, because otherwise I’d forget my room number,” she writes. For more of her writing, check out her Millions essay on the place where writers work.
The recent passing of Christopher Hitchens has led to numerous praiseful eulogies. Many have been (and he would’ve hated this…) hagiographic. Now, in an article for The Nation, Katha Pollitt seeks to “complicate the picture … at the risk of seeming churlish” to allege that the man “had virtually no interest in women’s writing or women’s lives or perspectives.”
The Digital Reader rounded up a list based on Amazon’s end of year book sales. Some interesting factoids: Dan Brown‘s Origin: A Novel was the most read and gifted book this holiday season, and Margaret Atwood‘s The Handmaid’s Tale was the year’s most borrowed book from Prime Reading. Pair with: our cheat sheet for Kindle (and other e-reader) owners.
Mark O’Connell’s recent essay in these pages discussed how long, challenging novels can hold you captive (in both the good and bad senses of that phrase). Now, in the Times, Manohla Dargis and A.O. Scott come to the defense of “the slow and the boring” in film, responding Dan Kois’s Times Magazine piece confessing he’s “suffering from a kind of culture fatigue and have less interest in eating my cultural vegetables.”