The Tournament of Books team over at The Morning News have posted an in depth commentary on this year’s withheld Pulitzer Prize for fiction. The Wall Street Journal asks a handful of book critics to name the books they thought should’ve won. And over at Moby Lives, Nick Davies has rounded up the statements made by the jury in response to the brouhaha. Lev Grossman, on the other hand, outlines why he’s totally okay with the board’s decision. And of course, we’ve got links and excerpts for all the finalists over here.
What happens when a grown woman wears a ton of Axe body spray? The question is nightmare fuel, but Slate’s Dahlia Lithwick -- in what can only be described as a heroic act of journalism -- doused herself in America’s most notorious fragrance for a week to see how it felt.
“For Groff, it is not that there’s a clearly delineated line between the universal and the particular, but rather that they are nested like Russian dolls: every story of the particular is also an iteration of the universal.” This review of Lauren Groff’s Fates and Furies from 3:AM Magazine is great. Our interview with Groff from a few weeks ago makes a nice complementary read.
Planning to attend this Saturday's National Book Festival in Washington, D.C.? The Washington Post has provided five sample itineraries. And for an entirely different, vicarious trip, revisit Mythili G. Rao's account of visiting the Jaipur Literature Festival a few years back: “To voice their disapproval of the circumstances of Salman Rushdie’s absence, four writers read from The Satanic Verses — a book that has been banned in India. They were advised to leave. What kind of real intellectual discussion could go on in a setting that had proved itself so hospitable to self-censorship?”
"Over the course of our conversation, I’ve come to understand that he has not written (Thomas Jefferson Dreams of Sally Hemings) to provoke or to engender a self-serving sense of shock; he has written with a belief in the possibilities of liminal space and in the revelations that occur at the point of tension. The result is a book that jars, unequivocally, and that disquietingly brings to the surface the anguish of past and present America." Stephen O'Connor's poetic reimagining of the relationship between Thomas Jefferson and the enslaved Sally Hemings has certainly raised some eyebrows. This interview with Melody Nixon at BOMB gives O'Connor a platform from which to explain his idea.
It’s time to recognize tarot’s place in literature. Peter Bebergal writes on Jessa Crispin’s latest project, The Creative Tarot: A Modern Guide to an Inspired Life.