The Picador folks joined Tumblr recently (like we asked) and they’re making up for lost time already. They’ve already instituted something called “Sunday Sontag,” and they’ve posted a Spotify playlist comprised of 140 “contextually literary” tracks.
Ever since the Man Booker prize was opened up to American writers, there’s been a renewed debate about America’s contributions to the literary scene. Many people have wondered who past Bookers would have gone to had American authors been eligible. At The Guardian, a roundtable including Year in Reading alum Joshua Ferris, Curtis Sittenfeld, Edna O’Brien and Martin Amis pick American books they think would have won if they’d had the chance. You could also read Joanna Scutts on the history of the prize, or check out the most recent Booker shortlist.
Humans have been covering paintings, windows, and mirrors after the passing of loved ones for generations. Why do we feel the need to close off our connection to the outside world when we are grieving? Colin Dickey writes about the social, literary, and religious connotations of grief and memory at Hazlitt. At The Millions, Lidia Yuknavitch writes about channeling her grief into art.
Recommended Reading: The New York Times’s feature on Dana Spiotta. “When Dana Spiotta was working on her fourth novel, Innocents and Others, she sat beneath a huge bulletin board pinned with her sticky notes and research materials: lists of relevant words (passion, transformation, intimacy) and ‘seeing’ devices (zoetrope, stereoscope, camera obscura), and photographs of Orson Welles, Jean-Luc Godard and the Maysles brothers. ‘It’s like walking into the book,’ Spiotta told me. ‘You feel it all around you.’” To prepare for her upcoming release, revisit our review of Stone Arabia.