Over at Book Riot, Jeff O’Neal’s asking readers to vote for their favorite literary award… based on the quality of each one’s backlist.
A couple weeks ago, our own Janet Potter reviewed Jon Ronson’s So You’ve Been Publicly Shamed, a new book which examines the rise of public shaming on social media. In the Times, Ronson takes part in the paper’s By the Book series, several entries of which we’ve written about before. Among other things, he recommends The Girl on the Train by Paula Hawkins and Violence by James Gilligan.
“The greatest Intelligence Agency use of Twitter that never really happened is @US_CIA, a remarkable account that posted plausible Langley public notices that became noticeably stranger over time. Eventually it was claiming 30% of all CIA employees were LGBT and/or First Nation and tweeting directly to @khamenei_ir, Iran's ayatollah.” At The Awl, Ken Layne investigates the world of Espionage Twitter.
Spotted on the streets of New York: a casting call for a "10-13 year old Caucasian male" to play protagonist Oskar Schell in Stephen Daldry's upcoming film adaptation of Jonathan Safran Foer's Extremely Loud & Incredibly Close. Notable Goyim Tom Hanks and Sandra Bullock are attached to the project, as Oskar's parents.
"Maybe I’m not outraged. I’m exhausted and open and exposed and a lot of other people are too because we are wounds that get picked at and picked at and picked at one day, there won’t be anything left to heal." At The Rumpus, Roxane Gay writes on the sexism and racism of Seth MacFarlane's Oscars jokes.
Debut short story writer Matthew Vollmer gets some love.For those left baffled by descriptions of "the Purdie shuffle" in last week's New Yorker and New York Times, the mighty Bernard "Pretty" Purdie offers a demonstration.At the International Edible Book Festival, you can chase down your Remembrance of Things Pasta with some Rosencrantz and Guildenstern are Bread (via The Book Bench)Despite (or because of?) its compassionate ecumenicalism, Sana Krasikov's One More Year wins the Jewish Book Council's Sami Rohr Prize.A 1979 cover letter from then-unknown Kazuo Ishiguro, re: the story "Getting Poisoned." Bonus features: Hemingwavian brevity, grease stains.The New York Times Magazine's editor ponders the fate of long-form journalism......while Vanity Fair questions the Times' relentless interactivity.Stephen King, once thought to be considering retirement, has been as prolific as ever, now announcing the November publication of a 1,120-page novel, Under the Dome, about a town that has been sealed off by an invisible force field.The Complete Review turns 10!30 Poets/30 Days: a celebration of children's poetry"Notes and Errata" on D. T. Max's profile of David Foster Wallace "The Unfinished." (via kottke)Kassia Krozser says "Enough With The Smell of Books, Okay?" about the olfactory argument in the ebooks debate.William Zinsser on writing On Writing Well and keeping it up-to-date for 35 years.Google poses a literary stumper.
Do our brains determine how we write? Joyce Dyer explores the possibility that genre is influenced by how our brains are wired but wonders if that limits us. "The page may be forcing compromises that the brain, in such close relationship with the mind, must rightly refuse," she writes.
Harvard and MIT are partnering for an MOOC (Massive Open Online Course) known as edX. Currently, similar offerings are available from Stanford, Princeton, UPenn, and the University of Michigan. Unfortunately edX and others like it will grade student papers by utilizing “crowd-sourcing” and “natural-language software.” Oh, geeze. Not that again.