“It is impossible to ignore the ways in which [Pauline] Kael’s gender makes her a target,” writes Amanda Shubert as she reviews the oft-criticized movie critic, subject of the new book Pauline Kael: A Life in the Dark.
If his new novel Against the Country is any indication, Ben Metcalf gets his best inspiration from the worst of rural America. In the book, which features a panoply of awful crimes and obscenities, Metcalf rides roughshod over the notion of the rural idyll. In Bookforum, onetime Millions staffer Emily Colette Wilkinson reviews the novel, calling it “a gut-busting knee slapper” in spite of its glut of macabre scenes.
Out this week: Thomas Murphy by Roger Rosenblatt; The Deep Sea Diver's Syndrome by Serge Brussolo; Weathering by Lucy Wood; Remains by Jesús Castillo; and What Belongs to You by Garth Greenwell (which we reviewed). For more on these and other new titles, go read our Great 2016 Book Preview.
LibraryThing has published the catalog of F. Scott Fitzgerald's personal library. You can check out a list of all 322 titles here (PDF). Meanwhile, from the department of "new books you can actually buy," New Directions has published their Fall 2012 and Winter 2013 catalog (PDF) as well.
Simon DeDeo writes for AGNI about the first line of Paradise Lost, John Milton’s first disobedience. As he explains it, “The line is a syllable too much. In Milton’s blank verse epic—iambic pentameter, five sets of two-syllable feet—the opening has eleven syllables, not ten.”
Check out some of the good stuff floating around:A bookstore on a boat at The CS MonitorSimilarties between David Mitchell's Number9Dream and Cloud Atlas at Conversational Reading.Tingle Alley discovers that Zadie Smith's hubby Nick Laird may be getting preferential treatment in the book pages.Aelfred of Dunwoody Recalls a Viking Incursion at Wal-Mart, 848 AD. You can't really beat this.
When your father shows you The Wrath of Khan at a young age, you develop an appreciation for the late Leonard Nimoy, whose death scene as Spock in that film is among his most famous performances. For Jen Girdish, that appreciation led to this essay, which reflects on Nimoy, her father’s own death and the onetime ubiquity of VHS tapes.