Are these two statistics linked? According to a Pew Internet Libraries study, 30% of those “who read e-content say they now spend more time reading,” and according to studies cited on CreativePro, people can read printed text read “25% faster than on-screen text.”
No Wonder They Spend More Time, Then
Dear Diary
Earlier this week, our own Thomas Beckwith reported on the Hermione/Ron scandal. Now, Mallory Ortberg has penned Ron Weasley’s secret diary at The Toast. “I don’t want to die. I’ve never even seen a movie. Seventeen years old and I’ve never seen a movie and I still don’t know what math is.” No wonder why J.K. Rowling wanted Hermione to end up with Harry.
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She was the shadow of the waxwork lain
A waxwork being billed as “the most accurate likeness of author Jane Austen” ever created has been unveiled at her museum in Bath, England.
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Type Writer Fetish
Want to make your writing more dramatic? Try using a typewriter. Tom Hanks professes his love for typewriters in The New York Times. “Everything you type on a typewriter sounds grand, the words forming in mini-explosions of SHOOK SHOOK SHOOK. A thank-you note resonates with the same heft as a literary masterpiece,” he writes. Pair with: A St. Louis man placed typewriters around the city in hopes that residents will share their stories.
Chinese Publishing
The Guardian profiles the proliferation of Chinese self-publishing websites. Could this be the future of publishing?
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And The Problem With That Problem
The problem with memoir is well-known. What’s less well-known is the problem with the problem with memoir.
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Movie Poster Marketing Philosophy
Have you ever wondered why so many movie posters employ the “tilting horizon” effect? One marketer is here to explain why. Now, if only someone could explain why no movie posters are original anymore…
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Strike Back
“What women do in the books mentioned here doesn’t consist of survival so much as sabotage. They throw bricks and rocks and flaming bottles into the chinks of the masculine world machine, then pick up a gun and fire into the turning gears. If rape and other sexual violence, religious servitude, and the politically determined inaccessibility of contraception can be seen as acts of war, stories like these may not just be a means of escapism. In the mind’s eye, they might be weapons, to be picked up, opened, and deployed.” At the Boston Review, Elizabeth Hand looks at women who fight back in fiction, from Gone Girl to Medea.