Former Pulitzer Prize juror Laura Miller gives a little insight into how the award works, and posits some possible reasons that the fiction award may have been withheld.
No award given
Four Hours of Chekhov
Recommended listening: Radio Open Source has been broadcasting Anton Chekhov‘s short stories, with voices including Chekhov translator and biographer Rosamund Bartlett, author Andre Dubus of House of Sand and Fog, and numerous other writers, actors, and scholars. “Chekhov makes you want to be a better person. He makes you want to live a better life.” (Unpersuaded? Consider our essays on why reading Chekhov, unlike booze or smokes, will make you a better person in 2014.)
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Teenage Daydream
“Although I didn’t realize it at the time, I myself was no stranger to being othered.” Over at The Literary Hub, Carla Bruce-Eddings recounts some reading lessons from her teenage self. For a bit of perspective from the other side, here’s our own Nick Ripatrazone on teaching high school and college.
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“I don’t believe the reader needs to know anything about me.”
Ben Lerner has a story [subscription required] in this week’s New Yorker that, like his debut novel Leaving the Atocha Station, features a protagonist named The Author. The magazine interviewed Lerner about the invitation to blur his fiction with his autobiography. He says that his work in an exercise in “activating those questions in peculiar ways—but the questions, not the answers, are what strike me as interesting.”
A Song of Spare Time
As you might expect, the world of Game of Thrones fanfiction is complicated, pornographic and more than a little bit intimidating.
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Doing the Academic Stuff
“You’re never going to write well for a wider audience if you think it’s less worthwhile, less difficult than doing the academic stuff.” Jo Livingstone interviews David Wolf, commissioning editor of The Guardian Long Read.
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