What’s cooler: bourbon aged at sea, or beer made from barley launched into space?
Next Up: Volcanic Vodka
Pig Tales
“I move in a desultory society and often a week or two will roll by without my going to anybody’s house to dinner or anyone’s coming to mine, but when an occasion does arise, and I am summoned, something usually turns up (an hour or two in advance) to make all human intercourse seem vastly inappropriate.” In the new issue of The Atlantic Weekly (not to be confused with the Monthly), a reprint of a classic E.B. White essay.
Mark It Up
Recommended Reading: Laura Miller’s argument for writing in books. You could also read Sam Anderson’s marginalia in Dan Brown’s Inferno, as well as his Year in Marginalia from 2010.
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On the Adjunct
McSweeney’s has a few classic college movies updated for the adjunct era. Spoiler Alert: Good Will Hunting has a very different ending.
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Fate and Fiction
Recommended reading: Catherine Lacey writes for Granta about “The Question of Fate” and fiction writing.
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Master of Happy Scenes
Norman Rockwell was an unhappy and enervated man who became iconic by painting scenes of happy, energetic people. He developed a style that became synonymous with idyllic visions of America. At Page-Turner, Lee Siegel reads Deborah Solmon’s American Mirror, a new biography of Rockwell that acknowledges the painter’s contradictions without “mocking or scolding” him for the gulf between his life and his art.
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No More McNuggets
Back in 2011, our founder C. Max Magee pointed to the fan art of Chris Ayers, who was inspired by DFW’s Infinite Jest. Now, Ayers has a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia. Pair with Vanessa Blakeslee on Atwood’s In Other Worlds.