James Harriman-Smith wants to know what humans can learn from a computer’s reading of Shakespeare’s plays. As it turns out, there’s quite a bit.
Diane Keaton writes in her upcoming memoir, Then Again, that “Going out with Woody Allen was like being in a Woody Allen movie.”
Probably the biggest literary debut the week is Arthur Phillips’ The Tragedy of Arthur, a faux memoir about the surfacing of a long-lost Shakespeare play. Also out this week is the first book from former Soft Skull head Richard Nash’s new venture Red Lemonade: Lynne Tillman’s Someday This Will Be Funny. And, finally, now out in paperback is Aimee Bender’s The Particular Sadness of Lemon Cake. (Our two reviews)
Here are the first lines of the new David Mitchell novel, The Thousand Autumns of Jacob de Zoet, forthcoming in July: “‘Miss Kawasemi?’ Orito kneels on a stale and sticky futon. ‘Can you hear me?’ In the rice paddy beyond the garden, a cacophony of frogs detonates. Orito dabs the concubine’s sweat-drenched face with a damp cloth.”