John Waters on parents, aging, routine, gangsta rap, and WikiLeaks.
So does literature really have the power to bring liberals and conservatives together? Probably not. Either way, this is still a fascinating study: “The ‘most startling result was this: it was conservative — not liberal — readers who are most active in producing this space of cultural compromise.’ Basically, within this sample size, conservative readers tended to exude more generous praise for ‘bridge books’ and did so with a vernacular considered to be ‘less heated or emotional.’ Grammatically, they also expressed ‘more complex thoughts.'”
Writing for the Wall Street Journal, David Shapiro remarks on the current popularity of the marathon reading, or “a format of communal public performance that has more in common with the filibuster than the conventional literary reading.” Previously, Jeff Price wrote a piece on our site concerning the particular camaraderie that arises among participants and audience members during marathon readings. (As a bonus: I share a David Foster Wallace anecdote in the comments for that piece.)
We thought we had a better chance of seeing Odin than Neil Gaiman’s American Gods on TV, but after the HBO deal fell through, the novel is finally being adapted for the small screen by FremantleMedia. Bonus: Gaiman’s Anansi Boys is also being adapted into a BBC miniseries by RED. To brush up on Gaiman’s interest in mythology, read our review of The Ocean at the End of the Lane.
There are plenty of reading apps out there, but a company called Rooster has released another, this one designed to “allow users to consume bite-sized pieces of highly curated fiction” whenever they have a few spare moments. In an interview with BookBusiness, Yael Goldstein Love, the editorial director of the project, described Rooster as aiming “to bring immersive reading, particularly fiction reading, back into busy peoples’ lives.” It’s difficult to know how to feel about this. Of course we think busy people should read good fiction, but is this just a precursor to the inevitable change of literature in the face of growing technology and shortened attention spans?
The Curious Incident of the Dog in the Night-Time author Mark Haddon will see his debut effort as a playwright hit the stage next month. The Independent tries to get the scoop. “So now we have this game of chess, in which you ask me what my new play is about, and I choose not to tell you what it’s about.”