Orhan Pamuk’s Museum of Innocence (named after his most recent novel of the same name) will open this week in Istanbul’s Çukurcuma neighborhood. The museum consists of hundreds of objects “collected” by a fictional character in the eponymous book.
The new issue of The Enemy is out, and it’s got some goodies which may be of interest to Millions readers. Among them are two new poems by Ruth Ellen Kocher, who won the 2014 PEN Open Book prize; an appraisal of the value of bad art by sociologist Alison Gerber; and a reassessment of the MFA by Beckett Flannery.
If news of László Krasznahorkai winning his second straight Best Translated Book Award for his recent novella, Seiobo There Below, got you interested in reading the Hungarian author’s works, then look no further. Scott Esposito offers a handy road map entitled “Krasznahorkai: A Guide for the Perplexed and Fascinated.”
Split This Rock’s Tenth Annual Poetry Contest is now open for submissions, judged by Sheila Black. All prize winners will be invited to read at the 2018 Split This Rock Poetry Festival and have their poems published in The Quarry.
Edinburgh’s latest whodunnit wasn’t written by Ian Rankin. The Scottish capital’s mysterious book sculptor has struck again. Last summer, she started anonymously leaving paper sculptures at literary locations around the city to promote free access to libraries, museums, and galleries. The latest artwork arrived at the Edinburgh Unesco City of Literature Trust and includes paper feather wings, a safety helmet, and goggles “to provide some protection throughout journey.”
In her “Classic Russian Writers: For Teh Internets” column at McSweeney’s, KA Semënova “updates classics of Russian literature with modern technologies to see if the insights of those writers hold up today.” Her first two pieces explore Anton Chekhov’s “The Lady with the Dog” and Vsevolod M. Garshin’s “The Signal.”
A pair of debuts are making waves this week. Amy Waldman’s The Submission ponders an alternate present in which a Muslim man is the anonymous winner of the search for a design to build the 9/11 memorial at Ground Zero. Ernest Kline’s Player One is a “genre-busting,” pop culture-infused take on the virtual reality future that awaits us.