On the London Review of Books blog, Kaya Genç makes the case that the similarities between the successful Turkish author Elif Şafak’s work and Zadie Smith’s books is a fact of Turkey’s shifting cultural values rather than plagiarism: “Istanbul, the city Shafak returned to after writing her book in London and the setting for many of her earlier novels, resembles London more and more.” For a bit of context, here’s Lydia Kiesling’s rundown of the initial scandal.
David Roberts spent 12 hours in front of a screen everyday, frequently hit the daily tweet limit, and saw “every sunset as a potential Instagram.” So he decided to quit the internet for a year and lived to tell the tale for Outside. Yet disconnecting isn’t as easy as signing off Twitter. “One striking feature of the digital-self-help literature is that it treats distraction, overload, and frazzlement almost entirely as personal challenges. If you’re stressed out and unable to concentrate, you’re not enlightened enough. Meditate harder.” Pair with: What’s it like to be from the last generation to remember life before the internet and our own Edan Lepucki’s (slightly shorter) social media detox.
This week the Band of Merry Men/Women that is of Football Book Club is reading Carmen Giménez Smith’s poetry collection Milk and Filth — and posting about Elizabeth Kolbert’s The Sixth Extinction. Also: Check in later this week for possible guest posts by Ben Carson and Donald Trump. Also: There will be no guest posts by Ben Carson and Donald Trump.
At The Washington Post, Michael Dirda on the dissolute genius Thomas De Quincey (opium addict, original chronicler of addiction, master of the macabre, prolific C19th essayist).
Out this week: A Doubter’s Almanac by Ethan Canin; Why We Came to the City by Kristopher Jansma; Cities I’ve Never Lived In by Sara Majka; Hide by Matthew Griffin; The Blue Hour by Douglas Kennedy; Why They Run The Way They Do by Susan Perabo; We’ve Already Gone This Far by Patrick Dacey; and Perfect Days by Raphael Montes. For more on these and other new titles, go read our Great 2016 Book Preview.
Masha Gessen will be the first writer to publish a book about the Boston Marathon bombing suspects, Tamerlan and Dzhokhar Tsarnaev. Previously the author demonstrated her knowledge of Chechnya in her 2012 book The Man Without a Face. Gessen, who is also working on a book about embattled punk group Pussy Riot, will reportedly leave her directorship at Moscow Radio Liberty in order to report on both projects full time.
We encourage you to join Electric Literature’s #ReadMoreWomen campaign. Their aim is to “challenge you to increase your consumption of women and nonbinary authors, and tweet at @ElectricLit with the hashtag #readmorewomen to tell us what you’re reading or recommend a book.” Sounds good to us!