Kirk Curnutt takes readers on a tour of of F. Scott Fitzgerald’s oft-neglected commercial short fiction. Fitzgerald, after all, “produced 160 short stories [in his life],” writes Curnutt, “earning a total of $241,453 off the genre — more than $3 million in today’s dollars.” Yet the author didn’t think highly of the work, and even referred to himself as an “old whore” because he wouldn’t quit.
In Which F. Scott Fitzgerald Gets Compared to The Beach Boys’ Brian Wilson
In the Distance, a Dog Barked
At Slate, Rosecrans Baldwin notes “Pick up just about any novel and you’ll find a throwaway reference to a dog, barking in the distance.” Amazingly enough, he’s right.
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Ann and Jeff VanderMeer on Fantasy’s Influence on Today’s Literature
Ann and Jeff VanderMeer take a look at fantasy's impact on contemporary pop culture, in their introduction to The Big Book of Modern Fantasy.
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“I decided to stage an event: Robot Wars.”
Recommended Reading: Got a ton of spare time and a nostalgic interest in killer, mechanized war machines? Cool. Me too. Here’s an oral history of Battlebots.
Public Solitude
“You can’t be worrying how you sound. You can’t wonder whether you or your characters are likable or smart or interesting. You have to be inside the scene—the tactile world of tables and chairs and sunlight—attending to your characters, people who exist for you in nonvirtual reality.” Paris Review editor Lorin Stein writes for The New York Times about solitude in the age of the Internet and the future of the book.
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Book and Bed
Who’s ready for a trip to Tokyo? Sadie Stein at The Paris Review breaks the lid on a veritable Shangri-La for book lovers, a quasi-bunkhouse known as Book and Bed. Book and Bed is a bunkhouse-slash-bookstore that doesn’t actually sell books. Instead, they have a number of rather spartan beds built inside row after row of bookshelves. Their noble goal is also a simple one; to offer “an experience shared by everyone at least once: the blissful instant of falling asleep while reading.”
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