Kirk Curnutt takes readers on a tour of of F. Scott Fitzgerald’s oft-neglected commercial short fiction. Fitzgerald, after all, “produced 160 short stories [in his life],” writes Curnutt, “earning a total of $241,453 off the genre — more than $3 million in today’s dollars.” Yet the author didn’t think highly of the work, and even referred to himself as an “old whore” because he wouldn’t quit.
In Which F. Scott Fitzgerald Gets Compared to The Beach Boys’ Brian Wilson
Tuesday New Release Day: Gass, Dee, Gaddis
New this week: Middle C by William H. Gass, A Thousand Pardons by Jonathan Dee, and the Letters of William Gaddis.
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Moleskine’s Imminent IPO
A while back, I noted that Moleskine was preparing an initial public offering on the Italian stock exchange. Well, now the time has come. On April 3, you will be allowed to buy shares of the notebook company (and perhaps keep records of them within your Moleskine). If you’re interested, you might want to read up on the company’s history – and also on how to pronounce its name.
“I see their politics as a response to a challenge they both face”
Page-Turner interviewed Dinaw Mengestu, who has a story in the latest issue of the New Yorker (paywall), and whose forthcoming book All Our Names was highlighted by yours truly in our Great Book Preview.
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Emily Dickinson, Harvard-Bound
Seth Perlow examines how Harvard claims the rights to Emily Dickinson's poems, a body of work that was unpublished when she died, more than 130 years ago.
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Cowboys and Indians?
“Even if they have to fly to Pakistan to do it, our cowboys are always hunting Indians.” Amira Jarmakani on the perpetuation of Wild West stories even though our idea of the frontier has changed.