Toni Morrison gives a devastating interview in The Guardian.
“She could be a diva, says this source, ‘but in a way I fucking admire it. The world would be a sorrier place without divas.’” For New York magazine, Boris Kachka on the drama behind Michiko Kakutani‘s departure from The New York Times and what her absence means for the world of books. Consider also: our own Matt Seidel‘s rogue’s gallery of prominent critics.
Let’s take a moment to be jealous of other countries, shall we? In Iceland, “one in ten [residents] will publish something in their lifetime.” Norway’s government “buys 1,000 copies of every book a Norwegian author publishes. It provides a $19,000 annual subsidy to every author.” In Argentina, “the city of Buenos Aires now gives pensions to published writers.”
“What’s it like to write a novel in prison?” An interview with Daniel Genis addressing this and similar questions is online at The Airship. For more writing about and after prison, be sure to check out our own interview with Matthew Parker, author of Larceny in My Blood:A Memoir of Heroin, Handcuffs, and Higher Education.
From the book I’m reading right now: “My mother’s output, starred and pseudonymous, appeared regularly in one of those little, irregular periodicals so limited in readership that they might be called incestuous. Subscription was by invitation only, and contributors would go into a rage over a misplaced comma and brood for days if their poems were understood.”
Daniel Hahn reminds us that translators are vastly under appreciated. To help combat this, he created the TA First Translation prize, an award that will go to a translator for a book’s English-language debut. “There are many prizes in the book world, perhaps too many. But some exist not merely to reward one individual per year, but also to make a statement about what should be valued, and what we need more of. “