Sheila Heti interviews astrologer Jonathan Cainer about his craft. He tells her, among other things: “So I can’t honestly say I have an intellectual understanding about how time works. I have a faith in how it works.”
October kicks off with a mega-dose of new fiction: Ancient Light by John Banville, The Round House by Louise Erdrich, It's Fine By Me by Per Petterson, The Heart Broke In by James Meek, In Sunlight and in Shadow by Mark Helprin, Live by Night by Dennis Lehane, and Have You Seen Marie? by Sandra Cisneros. And that doesn't even include debuts Mr. Penumbra's 24-Hour Bookstore by Robin Sloan, That's Not a Feeling by Dan Josefson, and Safe As Houses by Marie-Helene Bertino. And there's more: graphic novel master Chris Ware's Building Stories, The Paris Review's collection Object Lessons (we interviewed one of the Steins behind the book) and this year's Best American Short Stories collection. Finally, Kingsley Amis's Lucky Jim is out in a new NYRB Classics edition with an introduction by Keith Gessen.
Though the world may never know whether reading the greats makes you a better person, according to a recent study, those who take an active interest in the arts are more likely to be altruistic.
"The Hatchet Job Award appeals, in its depressingly calculated way, to the basest and most self-serving of journalistic instincts, and seems to arise out of, and perpetuate, a misunderstanding of what criticism actually is." At Slate, our own Mark O'Connell criticizes the award for promoting the same bad criticism it claims to detest.
It's a brand new week and Football Book Club is reading Ray Russell's The Case Against Satan. For those of you scoring at home, that's an exorcism novel written by a former executive editor of Playboy. Plus posts about Elizabeth Kolbert's The Sixth Extinction and Carmen Giménez Smith’s Milk and Filth.