David Sedaris chats with The New York Times about his reading habits in the first installment of their latest series, “By the Book.”
“I did most of my reading at the International House of Pancakes.”
An Interview with Jaimy Gordon
“I’ve spent my whole professional life swirling the eddies of the margins… What I want right now is to see my book in an airport. Then in a couple of years everyone will figure out that I’m too esoteric, and I’ll be back…” The New York Times posts a curious interview with the unconventional Jaimy Gordon, winner of this year’s National Book Award.
French Fiction
Recommended recommendations: Nancy Kline surveys recently translated French novels for the New York Times Book Review. Pair with our own Bill Morris‘s piece in the Daily Beast on the 2014 Nobel Prize Winner Patrick Modiano and “Why American’s Don’t Read Foreign Fiction.”
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Afghanistan Video
Lukas and Salome Augustin‘s breathtaking video of Afghanistan is worth a full-screen viewing. (via)
Sherman Alexie’s ‘Part-Time Indian’ Turns 10
To celebrate its 10th birthday, The Absolutely True Diary of a Part-Time Indian, Sherman Alexie’s National Book Award winning YA novel, is being reissued. The special anniversary edition features a new introduction by Jacqueline Woodson, family photographs, a new afterward, and an excerpt from the book’s upcoming sequel, Rowdy, Rowdy, Rowdy. Also worth your time is Woodson’s 2016 year in reading.
Meghan O’Rourke on Anne Carson’s Nox
At The New Yorker, Meghan O’Rourke lyrically reviews Anne Carson’s latest work Nox: “Grief is paradoxical … The literature of mourning enacts that dilemma; its solace is mainly in the ritual of remembering the dead and then saying, There is no solace and also, This has been going on a long time.”
True Coffeeshop Story
“Literary interviews became popular in the eighteen-eighties, but Richard Altick, the late professor of Victorian literature at Ohio State University, traces the public fascination with writers’ homes at least as far back as the eighteen-forties, when there was a vogue for books describing the houses and landscapes of famous authors, complete with engravings and, later, photographs.” On the strangeness of literary celebrity.