Mama Hope, a group that works with local African organizations “to connect them with the resources required to transform their own communities,” has released a great promo featuring four young men who are tired of Hollywood’s African stereotypes. Their complaints are reminiscent of those enumerated in Binyavanga Wainaina’s classic essay “How to Write about Africa,” and also in Laura Seay’s great article from last week, “How Not to Write About Africa.”
When did the air of scandal surrounding Philip Roth give way to a kind of reverence? At a certain point, Roth lost his reputation for controversy. In The New Republic, Adam Kirsch investigates the odd story of Roth’s career, including evidence from Claudia Roth Pierpoint’s new book about the author, Roth Unbound (which we reviewed).
“I have a big global voice, but a small local one, because I don’t want to be a target, and resent that in 2017, that’s still the only choice I get to have. I have a rule of leaving the party, or social space as soon as I see five white people drunk, because the only person who will remember that moment when everybody got hella racist will be me. I have a self-imposed curfew of when to ride my bike home, when to leave the park. I would rather risk my life riding late at night on the empty and mostly dark greenway, than riding on the street with Police officers looking for whoever matches a description.” A Brief History of Seven Killings author Marlon James writes on Facebook (?) about being big, close, and black in the U S of A. Pair with Kaulie Lewis on reading James’s The Book of Night Women during her senior year.
“Good political poems, outlive the events that shape them… they lead strange lives.” One such poem, written after a pogrom 100 years ago, has since been translated by Palestinian resistance leaders, and more recently claimed as “Israeli” by PM Netanyahu. Some of the most notable works of the genre have been collected by Poetry. New projects in political poetry I’m excited about: online journal Matter Monthly, and Rattle’s Sunday column for a political poem addressing events of that week.
“The greatest Intelligence Agency use of Twitter that never really happened is @US_CIA, a remarkable account that posted plausible Langley public notices that became noticeably stranger over time. Eventually it was claiming 30% of all CIA employees were LGBT and/or First Nation and tweeting directly to @khamenei_ir, Iran’s ayatollah.” At The Awl, Ken Layne investigates the world of Espionage Twitter.
Haruki Murakami’s love for jazz is no secret – he used to own a jazz bar, he’s written full essay collections on the music, and his books are peppered with references to jazz songs and musicians. How fitting, then, that there’s finally a playlist of jazz songs mentioned in Murakami’s writings. Pair with our many past essays on Murakami.