Tracing the biological origins of aesthetics, Harvard Professor E.O. Wilson argues for a tighter bond between the humanities and the sciences and identifies the metaphor as the wedge that will keep them forever divided.
Amber Sparks investigates why short stories are overlooked. She writes, “Most people really don’t like short stories. And that includes lots of critics, who often seem to regard short story collections as a warm-up for the real thing.” Pair with Paul Vidich’s Millions piece about the future of the short story.
Today arrives Barbara Kingsolver's latest, Lacuna, "an epic journey from the Mexico City of artists Diego Rivera and Frida Kahlo to the America of Pearl Harbor, FDR, and J. Edgar Hoover." Also out are a couple more of those nifty "Olive Editions" from HarperCollins, this time of Thomas Pynchon's The Crying of Lot 49 and Sylvia Plath's The Bell Jar. Update: There's a new edition of Eric Schlosser's Fast Food Nation too.
“Then there’s the no-one-reads-anymore hysteria, the lack of supportive careers for apprenticing writers, the MFA deathtrap, etc. It feels self-indulgent as a critic to say, ‘But the whole critical structure has broken down, let’s talk about that.’ The critic only comes into play when the books are actually produced and put onto the market, meaning their jobs are tied into this whole decaying, rotting mess of an industry.” Jessa Crispin writes on the self-hating book critic.