“Joseph K., that icon of single-lettered anonymity from Franz Kafka’s novel The Trial,” writes Tom Engelhardt for Guernica, “would undoubtedly have felt right at home in [James] Clapper’s Washington.”
Deb Olin Unferth's memoir Revolution: The Year I Fell in Love and Went to Join the War hits shelves today. To celebrate the genre, she's curated a special section in this month's Guernica, with selections by Joshua Cohen and Rozalia Jovanovic, and forthcoming pieces by Porochista Khakpour and Clancy Martin.
Adobe Books may become Adobe Books and Arts Cooperative thanks to a collection of young, influential artists who do not want to see their favorite bookstore/community space close its doors. You know, the one that records its book sales in a composition notebook, not a computer system. (h/t Lydia Kiesling)
Jeffrey Goldberg interviews Quentin Tarantino in The Atlantic and writes about why Inglorious Basterds is a very un-Jewish treatment of rage toward Nazis.
"The [book] review’s pre-eminence is irrefutable: most people are acquainted with far, far more books through reviews than they could ever hope to read. And that is, generally, to the good." Joseph Mackin explores why we write and read book reviews for the New York Journal of Books.