“Joseph K., that icon of single-lettered anonymity from Franz Kafka’s novel The Trial,” writes Tom Engelhardt for Guernica, “would undoubtedly have felt right at home in [James] Clapper’s Washington.”
Parentheses aren’t just the mark of a lazy or verbose writer. They can also bracket personal pain in a narrative. At The New York Review of Books, Christopher Benfey explores the power of the parenthetical detail, such as Lolita‘s “My very photogenic mother died in a freak accident (picnic, lightning) when I was three.” Pair with: Vulture’s “The 5 Best Punctuation Marks in Literature.”
As a child, Xiaolu Guo hunted birds and toads to survive. Now, as a writer in Britain, she’s written a memoir about her difficult childhood, which you can read more about in this review in The New Statesman. Sample quote: “Perhaps it is no coincidence that the reason that Guo gives for deciding to write in English is to be free of Chinese government censorship, a process that she describes as the wearing down of a rock’s sharp edges to a smooth pebble.”
“For Mr. Kirn, 51, who indeed brims with an outer confidence that can be intimidating at times to those unused to brash, creative types who dress in custom cowboy boots and seem indifferent to the modest niceties of literary image, the loud underwear seems to be working this afternoon.” If this doesn’t read like the typical author profile that’s because Walter Kirn interviewed himself for The New York Times on his new book, Blood Will Out: The True Story of a Murder, a Mystery, and a Masquerade. Here’s our review.