Generally speaking, it’s a good idea to take Kathryn Schulz’s book recommendations. However when she refers to something – in this case J.M. Ledgard’s Submergence – as “the best novel I’ve read so far this year,” you really ought to listen up. By the time she invokes Philip Gourevitch, Anne Carson, W. G. Sebald, and John Le Carré in her review of that book, you ought to be reaching for your wallet.
Do you want a book with your Happy Meal? McDonald's will replace Happy Meal toys with books for two weeks next month. Don't expect to pull out Cloudy With A Chance of Meatballs with your fries, though. The books were created for McDonald's by Leo Burnett and discuss nutrition. Did they miss the irony?
The New York Times' executive editor Bill Keller caused an uproar three months ago when he railed against Twitter and, specifically, how it was making us all dumb. (Or, after being challenged, was it for some other reason?) This month, he rails against his staff of reporters because they want to write books.
With the end of the "Golden Age of TV," let's turn back to the show that started it all: Twin Peaks, "a revelation and inspiration for countless writers coming of age in the early 90s." The new Twin Peaks Project begins with this nostalgic article in The Believer.
You may have heard that our own Emily St. John Mandel has a new book on shelves. The book depicts a post-apocalyptic future in which a group of nomadic actors deal with the aftermath of a devastating flu pandemic. Claire Cameron (who’s also written for The Millions) reviews the book for The Globe and Mail.
This year's Tournament of Books comes to an end today, after nearly a month of analyses, debates and thoughtful arguments. In the final round, Kate Atkinson's Life After Life squares off with James McBride's The Good Lord Bird, both of which are, in Héctor Tobar's words, "unorthodox, historical novels." Now that the verdicts are in, the only question is: who won? (You could also read the quarterfinal judged by our own Lydia Kiesling.)