Google ran into a wall of litigation when it tried to create a public digital archive of every book in the world. Now a team of academics is taking on the challenge. Nicholas Carr examines whether Robert Darton and Harvard’s Berkman Center for Internet and Society can succeed where Silicon Valley failed. Also be sure to check out our review of Nicholas Carr’s The Shallows: What the Internet is Doing to Our Brains.
Building the Library of Utopia
eBooks Will Surpass Print Sales, But At What Cost?
“PwC (PricewaterhouseCoopers) estimates that trade … ebooks will drive $8.2 billion in sales by 2017 — surpassing projected print book sales,” writes Laura Hazard Owen. Meanwhile I can’t help but wonder: is this bad news for the environment?
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Your Words Here
For years, one of the best ways to make a living as a writer (if you didn’t want to go into academia) was to become an ad copywriter. They heyday of print was flush with opportunities to make bank off billboards and publications. At The Paris Review Daily, Dan Piepenbring looks back on the ad copy of Fay Weldon, who gave the UK, among other things, the slogan “Vodka makes you drunker quicker.” (Related: Hope Mills on working for a creative agency.)
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Charlotte Brontë’s Voice
While writing about Charlotte Brontë’s voice, Bee Wilson pays special attention to the ways the Jane Eyre author “makes a gothic fairy tale about a plain governess so raw and exhilarating.”
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The Man Who Clothed the World
“No one took this further, with more imagination and daring…At a time when American groups would often dress down—affluent suburban kids disguised as Appalachian farmers or Canadian lumberjacks – Bowie quite deliberately dressed up.” David Bowie’s sartorial legacy.
Keith Gessen’s Longform Podcast
n+1 editor Keith Gessen discusses how the magazine’s editors “are slowing down.” “We’re not mad at anyone anymore,” he says. “We think everything is great.”
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Michiko Kakutani on Jonathan Franzen’s “Freedom”
At The New York Times, Michiko Kakutani gets in an early review of Jonathan Franzen’s Freedom, heralding it “his most deeply felt novel yet.”