David Simon is blogging again.
“‘I want to meet POETS,’ I typed. Beneath my earnest headline, I described how I yearned for a workshop buddy who wrote contemporary verse, someone who wasn’t afraid to give and accept feedback. I also asked for a sample poem, just to weed out the people I didn’t jive with stylistically.” On forging friendships with poets from Denise K. James at The Rumpus.
“Baldwin understood that if you are going to say something important about the world it is best if you try to say it beautifully. I don’t mean like picking flowers or writing on fancy stationery. I mean how you say it actually makes it a more meaningful piece of writing. I am going to push that further. It makes it a truer piece of writing. What you are saying is: ‘Can I make somebody feel this in a deeper way?’ That was what I was obsessed with.” Over at The Guardian, Ta-Nehisi Coates talks about the success of Between the World and Me and being inspired by his father. Pair with our own Sonya Chung’s essay on David Brooks and Ta-Nehisi Coates.
Doubleday pulled a Beyonce and published Colson Whitehead’s latest book, The Underground Railroad, a month early. Oprah chose Whitehead’s book for her book club, and Doubleday “secretly started shipping out 200,000 copies in anticipation of the announcement.” You can also read a review from Michiko Kakutani at the New York Times.
We knew she was trouble when Taylor Swift joined the cast of the Weinstein’s adaptation of The Giver. Billboard reports that Swift has signed on for an unspecified supporting role along with Jeff Bridges, Meryl Streep, Katie Holmes, and Alexander Skarsgard. The movie will start filming in Cape Town next week.
Peg Plunkett was an 18th-century Dublin courtesan who decided one day to make some money by publishing a series of memoirs. Now, over two hundred years after Plunkett sketched out her life story, Professor Julie Peakman has rewritten all three volumes for a modern audience. In a piece for The New Statesman, Sarah Dunant reviews her edition of Plunkett’s oeuvre.