Our own Bill Morris has long worn his writer’s hat, but he recently revealed to us his artistic side. Now his Flannery O’Connor portrait has fetched an impressive price in the recent One Story magazine charity auction. Is art world stardom next?
The Mississippi was integral to Mark Twain's fiction, so David Carkeet traced Twain's path on the river in the new issue of Smithsonian. "What would Samuel Clemens have made of the Riverwalk? He was a grown child who readily took a God’s-eye view of life on earth. He would have loved it." Pair with: Our essay on Twain's travel writing.
In his 2015 Year in Reading, Garth Risk Hallberg told us about Max Porter's Grief Is The Thing With Feathers, a quasi-poem/novel/memoir which "you will quickly forget is weird as hell, because it is also beautiful as hell, moving as hell, and funny as hell." Though the book isn't slated for stateside release for another few months, there is a fantastic review over at the London Review of Books that's well worth the read.
"She was furious about the way the female college students of the next generation had been programmed to regard getting an MRS. degree as the be-all and end-all of their experience in higher education. She was enraged by the way the psychiatric profession regarded housewives’ unhappiness as a symptom of an out-of-whack libido. She was angry at the way the economy appeared to see her entire sex as simple consumption machines who built national prosperity by buying new appliances for the kitchen and searching madly for the perfect laundry detergent." Betty Friedan's second wave classic The Feminine Mystique turns fifty.
“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.
Errol Flynn was unique. Quick with a quip, the Australian-born silver screen swashbuckler (and current Tumblr heartthrob) had such immortal lines as, “I like my whiskey old and my women young.” Fans have long been drawn to the actor’s incredibly interesting life—much of which was relayed in his posthumously published autobiography My Wicked, Wicked Ways—so the Cuban National Archive’s uncovering of previously lost footage from his film Cuban Story should excite many of them.