Tonight in New York, poets Juliana Spahr and TC Tolbert read and discuss “how can we, as poets, take care of ourselves, our creative work, and the larger planetary body on which we depend?” 7.p.m. at Dixon Place.
The introduction Junot Díaz wrote for Dismantle: An Anthology of Writing from the VONA/Voices Writing Workshop has been adapted as a contribution to the ongoing conversation (of which The Millions has been a part) about writing programs at large and about MFA vs. NYC specifically. At issue is Díaz’s (rightful) assertion that an important topic – diversity – hasn’t been adequately addressed in evaluations of the supposed program and publishing dichotomy thus far. (Related: Sandra Cisneros’s “I Hate the Iowa Writer’s Workshop.”)
Loudpoet has an interview with former Soft Skull Press publisher Richard Nash about his new social publishing venture Cursor. ““Social” is taking the book and making it much easier to have a conversation with the book and its writer, and have conversations around the book and its writer.” Is this a way forward for beleaguered publishers? (via The Lone Gunman)
Harper Lee’s estate will no longer allow publication of the mass-market paperback edition of To Kill a Mockingbird, which was popular with schools. Over at The New Republic, Alex Shephard writes that “Without a mass-market option, schools will likely be forced to pay higher prices for bulk orders of the trade paperback edition—and given the perilous state of many school budgets, that could very easily lead to it being assigned in fewer schools.” For more about the author’s legacy, read Robert Rea’s Millions essay on his travels to her home.
How does Karl Ove Knausgaard delve into some of the oldest parts of his memory for his writing? “I remember every single room that I have been in from the age of seven. What I did was to place myself in those rooms, and when I started to write about them it was like unlocking a thousand small doors, all leading further into childhood,” he told Cressida Leyshon at The New Yorker. Knausgaard also has a story, “Come Together” (behind the paywall), in the current issue. Pair with: Our essay on My Struggle.
“Any day’s news supplies plots so fantastic that most make-believe story lines pale in comparison.” Author John Altman in the LA Times about the difficulty of writing fiction during Trump’s presidency. “My current novel-in-progress concerns North Korea,” writes Altman, “and each day’s headlines endanger its premise. But too much second-guessing hobbles a writer. One can only take a deep breath, remind oneself that war with North Korea would jeopardize much more than a humble spy thriller, and forge ahead, hoping for the best.”
The Pioneer Detectives is coming to San Francisco! Join author Konstantin Kakaes and Gelf Magazine editor David Goldenberg at The Knockout in the Mission, Tuesday, September 17 at 6.30.