Tonight in New York, poets Juliana Spahr and TC Tolbert read and discuss “how can we, as poets, take care of ourselves, our creative work, and the larger planetary body on which we depend?” 7.p.m. at Dixon Place.
Our friends at The Common have organized a Postcard Auction, and you have until May 20 to bid online. Users can bid on the chance to have well-known authors – such as Adam Johnson, Téa Obreht, Chris Ware, and Kiese Laymon – send handwritten postcards to the address of their choosing. Come on, now. This is your chance to get a handwritten note from an Orange Prize-winner.
Esquire offers up a terrific time sink, "The 7 Greatest Stories in the History of Esquire Magazine." Included among these gems of long-form journalism, which are all reprinted in full, is Richard Ben Cramer's "What Do You Think of Ted Williams Now?" which appeared on the list of best sports journalism we ran last month.Not long ago, we discussed the books that first stoked our love for reading. The Guardian takes it one step further, asking "What were your favourite books before you could read?"A brief YouTube profile of Annette Gordon-Reed, National Book Award winner for The Hemingses of Monticello.From The Morning News, a slightly insane, moderately epic profile of Dmitri Nabokov, son of Vladimir.Also from The Morning News, a bit about The Chicagoan, the long-lost New Yorker-esque magazine for the Second City, now memorialized in coffee-table book form. If ever any cities (besides New York of course) could be granted New Yorker-like magazines, Chicago and Los Angeles would be deserving. BoingBoing points to some pdf excerpts of the book.Poll watching savant Nate Silver takes execrable rabble-rouser John Ziegler to task for a dubious survey of Obama supporters. Petulance ensues.
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“The more you take, the more you have to give back — the better the work has to be.” The New York Times features Year in Reading alum Rivka Galchen in dialogue with Anna Holmes (“You can’t always prove appropriation, but you usually know it when you see it”) on the distinction between artistic license and cultural theft. Pair with our review of Galchen's Little Labors.