Bygone Bureau editor Jonathan Gourlay spent eleven years living on the microscopic island of Pohnpei, and fortunately for us he kept his wits about him long enough to churn out a “funny, haunting travel memoir” entitled Nowhere Slow. You can check out an excerpt from the eBook over here.
David Foster Wallace stranded on a desert island.Another reason to love Washington Post critic Jonathan Yardley: his refreshingly enthusiastic take on "slacker fiction" and All the Sad Young Literary Men by Keith Gessen, who, admittedly, "scarcely qualifies as a slacker."Paul Auster was a protesting, fence-tearing, rioting crazy '68er, too, it turns out.The phenomenal Burkhard Bilger supplements his New Yorker piece on folk-music field recordings with some audio.Malcolm Gladwell's seemingly endless string of public appearances continues. This one is, intriguingly, a public "book discussion" with the Washington, D.C. chief of police.With some speculating that CBS News is about to close up shop and that Katie Couric is on her way out, rumors are already swirling about the obligatory memoir.Jonathan Franzen answers the question "Do you regret your run-in with Oprah?" in a "Big Think" video. Aficionados of Franzen mannerisms may also enjoy the other fifteen or so Franzen videos that Big Think has available.
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J.K. Rowling is one of the most successful writers in the world, but the one person she wanted to see her success never got to — her mother. "She never knew about Harry Potter – I started writing it six months before she died, so that is painful. I wish she'd known," she said during an interview with BBC Radio 4. She discussed her mother's death, multiple sclerosis, rugby, and more when she guest edited an edition of "Woman's Hour."
"Wallace’s fiction contains enormous cruelty... But it is also a deeply moral body of work. Its difficulties, and many of its cruelties, exist for specific reasons. Whether Wallace’s fraught projects are successes or failures is up to the individual, but these are judgments that all serious readers should want to make for themselves." Chris Power considers David Foster Wallace's short stories in an essay for The Guardian and argues that after Infinite Jest they just might be the most important work he produced.