Small Demons presents Storyverse, a website in which users are invited to explore the connections between their favorite books and the people, places, and cultural artifacts out of which they are woven. It’s difficult to explain, but painless to enjoy thanks to a beautiful GUI.
“People who shun new technologies will be viewed as passive-aggressive control freaks trying to rope people into their world, much like vegetarian teenage girls in the early 1980s.” Novelist Douglas Coupland (who popularized the term “Generation X”) previews his lecture “A radical pessimist’s guide to the next ten years” in the Globe and Mail.
No surprise here — Elena Ferrante fever continues to sweep the literary world. Last week, an Italian historian was forced to deny claims that she was actually the Neapolitan novelist. Now, The Guardian takes a look at the unique history of pseudonyms and posits whether Ferrante’s mystery might outlast some famous historical masqueraders. For the unacquainted, here’s a quick piece on reading Italy through Ferrante’s work.
For San Francisco readers: There’s a new show of huge, surreal paper mache animal sculptures up at The Mission Cultural Center for Latino Arts (December 4-17th). These paper beasts, featured in the San Francisco Symphony’s performance of Camille Saint-Saens “Carnival of the Animals” and created by local artist Colette Crutcher and her students, will be auctioned off to benefit the MCCLA at a party open to the public on December 17th.
It’s time to clear out a little spot on that bookshelf because this one is sure to impress your literary friends. Among a few other incredible books up for sale by a London bookseller is this copy of T.S. Eliot’s The Waste Land. It is one of the original 460 copies hand printed by Virginia and Leonard Woolf, and it is signed by Eliot to the doctor who treated him at the clinic in Laussane where the poem was written. Good thing you’ve been saving up.