“A Poem From Us” features regular people reading their favorite poems. According to the project’s founder, Felix Jung, its goal is to “use technology to help folks share their love of poetry with others.” That’s something we can all get behind, isn’t it? You can participate in two ways: record a video of yourself recording your favorite poem, or request a set of free promotional stickers for the project.
“Over the course of our conversation, I’ve come to understand that he has not written (Thomas Jefferson Dreams of Sally Hemings) to provoke or to engender a self-serving sense of shock; he has written with a belief in the possibilities of liminal space and in the revelations that occur at the point of tension. The result is a book that jars, unequivocally, and that disquietingly brings to the surface the anguish of past and present America.” Stephen O’Connor’s poetic reimagining of the relationship between Thomas Jefferson and the enslaved Sally Hemings has certainly raised some eyebrows. This interview with Melody Nixon at BOMB gives O’Connor a platform from which to explain his idea.
Over at Full Stop, Scott Cheshire mulls the concept of Armageddon, or, as he calls it, “The Other American Dream.” Meanwhile, a French photography team is traveling the world to take pictures of cities “without signs of life.” Perhaps the fascination isn’t so American after all.
“I very quickly realized that if you want to seem as a serious writer, you can’t possibly look like a person who looks in the mirror.” Author, Boots spokesperson, Year-in-Reading alum, and all-around badass Chimamanda Ngozi Adichie talks to The New York Times about beauty, feminism, and writing.
Why aren’t more people reading Italian literature? Is it due to an English “mistrust of ‘abroad’?” “Linguistic incompetence?” Or is it that “Italy’s not produced much that’s exciting or innovative … for a few hundred years?” Peter Hainsworth, author of Italian Literature: A Very Sort Introduction, investigates.