While writing by hand may be high risk work, the writer-typists among us face some tough decisions: what font should one employ? Do you need software to keep you from being distracted? Is it time yet for a distraction?
A year and a half later, Jessie Gaynor returns to The Paris Review to follow up her much-appreciated “Drunk Texts From Famous Authors” series. (Part one is here.) On tap this time: T.S. Eliot, Samuel Taylor Coleridge, Samuel Beckett, Roald Dahl, Jorge Luis Borges, Guillaume Apollinaire, William Blake, and a Flarf poet.
Our heartfelt congratulations to Greg Fawcett, winner of this year’s Ernest Hemingway look-alike contest. He credits his success in the competition with “dedication, timing his haircuts carefully and paying attention to the length of his beard.” Looking good Greg, and all you other Papas in Miami.
A recent Curiosity noted autistic British artist Stephen Wiltshire drawing the New York City skyline from memory. A new book Drawing Autism will collect the work of other autistic artists. Wiltshire chose not to be in the book because he didn’t want to be seen as “just” an autistic artist. More from the book.
“The thriller, set in a dystopian future where women and girls can kill men with a single touch, was the favourite on a shortlist that included former winner Linda Grant and Man Booker-shortlisted Madeleine Thien.” Naomi Alderman’s The Power has become the first speculative work to nab the Baileys prize for women’s fiction, reports The Guardian, noting that the judges said Alderman’s book would be “a classic of the future.” See also: a few years back we highlighted a collaboration between Alderman and Year in Reading alum Margaret Atwood, a comic zombie novel that you can still read in its entirety here.