John Scalzi rounded up online versions of all of the stories nominated for this year’s Hugo Award. Read up!
Nicole Krauss has taken her family to deserts in Chile, a lice-infested nursery in Tel Aviv, Sarajevo, Capri, and even the Arctic, but she’s never been on a beach vacation. She tries to relax and searches for the meaning of paradise in Turks and Caicos in her essay for Condé Nast Traveler.
“Art isn’t a footrace. No one comes in first place. Greatness is not a universally agreed-upon value. … America isn’t one story. It’s a layered and diverse array of identities, individual and collective, forged on contradictory realities that are imbued with and denied privilege and power. Our obsession with the Great American Novel is perhaps evidence of the even greater truth that it’s impossible for one to exist. As Americans, we keep looking anyway.” Cheryl Strayed and Adam Kirsch discuss the Great American Novel in this week’s New York Times Bookends. For a slightly different take, consider the 9 novels our experts chose as the Greatest American novels, from Moby-Dick to The Godfather.
Attn Twitterers: Some folks have been following me @cmaxmagee, but starting today we’ll be using @The_Millions for the occasional books- and Millions-related “tweet.” If you are the twittering type, throw a “follow” our way (and spread the word). (Thanks to my brother Phil for securing and holding onto @The_Millions until I finally got around to using it.)