Aspiring novelists, take note: when you get a $200,000 advance for one of your books, don’t buy any clothes.
Recommended Reading: This piece on a digital afterlife — duplicating oneself via computer program — which is by turns troubling and oddly reassuring: “The human brain has about a hundred billion neurons. The connectional complexity is staggering. By some estimates, the human brain compares to the entire content of the internet. It’s only a matter of time, however, and not very much at that, before computer scientists can simulate a hundred billion neurons.”
Out this week: The Angel of Losses by Stephanie Feldman; Charleston by Margaret Bradham Thornton; Panic in a Suitcase by Yelena Akhtiorskaya; The Home Place by Carrie La Seur; Lucky Us by Amy Bloom; and Tigerman by Nick Harkaway (which I wrote about for our Great 2014 Book Preview).
Imagine a reality television show that pits up-and-coming writers against each other in a series of challenges designed to test their skills and endurance. When the smoke clears, and the bourbon’s gone, one talented writer will be reborn into gritty glory; only one writer will become America’s Next Top Writer!
As Teju Cole demonstrated with his real-time ghazals (one, two, and three) this past week, Twitter is a medium ripe for linguistic experimentation. And far from being the exclusive domain of human beings, the social network can also produce “found poetry” at the behest of computer programs – a practice I recently wrote about for The Bygone Bureau. But who’s behind these Twitter bots? Over at The Boston Globe, they check in with Darius Kazemi, the 30-year-old programmer who’s made some of the most-loved accounts out there.