Aspiring novelists, take note: when you get a $200,000 advance for one of your books, don’t buy any clothes.
$200,000? Who Said Publishing’s On the Outs?
Digital Heaven
Recommended Reading: This piece on a digital afterlife — duplicating oneself via computer program — which is by turns troubling and oddly reassuring: “The human brain has about a hundred billion neurons. The connectional complexity is staggering. By some estimates, the human brain compares to the entire content of the internet. It’s only a matter of time, however, and not very much at that, before computer scientists can simulate a hundred billion neurons.”
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NO MORE
The US Navy will no longer write its internal communiques in all caps. Maybe they got tired of the sense that they were constantly shouting?
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Tuesday New Release Day: Feldman; Thornton; Akhtiorskaya; La Seur; Bloom; Harkaway
Out this week: The Angel of Losses by Stephanie Feldman; Charleston by Margaret Bradham Thornton; Panic in a Suitcase by Yelena Akhtiorskaya; The Home Place by Carrie La Seur; Lucky Us by Amy Bloom; and Tigerman by Nick Harkaway (which I wrote about for our Great 2014 Book Preview).
Next Top Novelist
Imagine a reality television show that pits up-and-coming writers against each other in a series of challenges designed to test their skills and endurance. When the smoke clears, and the bourbon’s gone, one talented writer will be reborn into gritty glory; only one writer will become America’s Next Top Writer!
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Literally crowding the text
Would you buy your way into a novel? For $900 CDN you can determine the title of Daniel Perlmutter’s next book. If that’s a little steep for ya, $15 gets one of your sentences in there.
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True Story
Over at Granta, Melissa Febos writes about truth. As she puts it, “The true telling of our stories often requires the annihilation of other stories, the ones we build and carry through our lives because it is easier to preserve some mysteries.”
Twitter’s Poetics, Twitter’s Bots
As Teju Cole demonstrated with his real-time ghazals (one, two, and three) this past week, Twitter is a medium ripe for linguistic experimentation. And far from being the exclusive domain of human beings, the social network can also produce “found poetry” at the behest of computer programs – a practice I recently wrote about for The Bygone Bureau. But who’s behind these Twitter bots? Over at The Boston Globe, they check in with Darius Kazemi, the 30-year-old programmer who’s made some of the most-loved accounts out there.
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