Aspiring novelists, take note: when you get a $200,000 advance for one of your books, don’t buy any clothes.
Is writing an inherently performative medium? Scott McClanahan thinks so. “I think my favorite writers are hams,” he said in an interview for The Rumpus. He also discussed staying at hotels with pimps during his book tour, indie presses, his book Crapalachia (which our own Nick Moran recommends), and his aversion to tote bags.
“I have a theory: the thing that makes you a unique writer hasn’t got so much to do with your influences as it does with how you became a writer in the first place. I think your preferences—your obsessions—come just as much from the first sorts of things you consumed and were passionate about. Whether that’s pop music, comics, “lowbrow” fiction, soap operas, or anything else, the thing that matters most is what started you writing stories.” Amber Sparks writes about “lowbrow” influences and the many paths to becoming a storyteller in an essay for Electric Literature.
“When people are young adults, they have these packs, or tribes, that they form. Those connections are very real, and yet another, more powerful social narrative is that you’re supposed to pair off and have children—and never see your friends again. In the case of the gay world, there’s an additional element, in which you’re supposed to spin away from your straight friends and be part of a gay world. Both ideas of adulthood are sad to me, and I was attracted to a group of friends as a lost paradise, and one that there’s no way to keep.” At The Paris Review Daily, Anna Altman talks with Caleb Crain about his new book, Necessary Errors.