It’s been rumored for some time that The Flaming Lips were working with Aaron Sorkin to develop a musical, but yesterday in a press release, the project was given an expected release date, and Sorkin was said to be no longer involved. “Yoshimi” will tell the story of “a young Japanese artist who journeys into a robot world where she must contend with a host of evil forces.” (Or, you know, basically this song acted out.)
Recommended Reading: Louise Erdrich’s new short story in The New Yorker, “The Big Cat,” which is about snoring among other things. “The women in my wife’s family all snored, and when we visited for the holidays every winter I got no sleep.” Deborah Treisman also interviewed Erdrich about the story. “I like the idea that this story reads like a fairy tale, but there is no moral at all, unless it’s Beware of Snoring Cats. Nothing I write ever has a moral.”
Millions contributor Kaya Genç reports on Istos, a Greek-owned publishing house based in Istanbul, Turkey, that’s “interested in challenging the partial, nostalgic stereotype of the old Greek community as a fashionable elite.” Meanwhile, across town, the Çağlayan Courts of Justice shocked the Turkish literati with a warning for the Sel Publishing House: stop publishing the “obscene” works of writers like William Burroughs and Chuck Palahniuk.
The Los Angeles Review will start reviewing one self-published book each month. They plan on applying “the same standards of good literature” to their reviews of self-published content as they do to traditionally published content.
When a novel is printed in multiple countries, it often has more than one editor. Slate interviews Emma Donoghue; her American editor, Judy Clain; and her Canadian editor, Iris Tupholme, about how they all edited Frog Music. They discuss everything from how to deal with editing disputes to the best way to get edits. “I much prefer to get everyone’s opinions separately, because if I got a single editorial letter, it would be like getting a note from God!” Donoghue says. For more on the editing process, read about our own Edan Lepucki’s relationships with her copy editor and editor.