Here at The Millions, we know the importance of a book's cover (for evidence see here, here, here and here), so Margaret Sullivan's new project, Jane Austen Cover to Cover, has our attention. A sample of covers for Emma, available on The Paris Review's blog, "provides a fascinating glimpse into a variety of publishing cultures, and it reminds that even our classics are mutable, pitched to appeal to any number of sensibilities, their literary status in constant flux per the dictates of the market."
"You should feel embarrassed when what you’re reading was written for children," Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. "You should never be embarrassed by any book you enjoy," Hillary Kelly responds in The New Republic, unrealistically (we're embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.
Having kicked off his career with a book of poetry, it’s not surprising that Ben Lerner is interested in the late Johns Hopkins professor Allen Grossman, who theorized that people dislike poetry because poems are -- by definition -- failures. In a piece for the LRB, he runs through the implications of Grossman’s theory, touching on poets as disparate as Shakespeare and William McGonagall. Pair with Kate Angus on why Americans don’t buy poetry books.
The 100th anniversary of the publication of James Joyce’s Dubliners occurs this month, and the occasion is being celebrated with the launch of Dubliners 100, a “reimagining and rewriting of the 15 original stories by a range of well-established and promising writers.” Among the modern writers lending their talents to the homage is Paul Murray (Skippy Dies), Donal Ryan (The Spinning Heart), and Pat McCabe (Butcher Boy).
"But was I actually reading? I regarded myself as a reader, but were these really books?" In LitHub, James Tate Hill pens an essay about reading while visually impaired and the questions it raises in a print book obsessed world. Pair with: our own Bill Morris on hearing an actor narrate his novel's audiobook.