“The book documents its time, a time when homosexuality was illegal, and still described in medical books as a mental illness. It is one of the best firsthand accounts of what it was like to be gay in the mid-20th century — ostracized — separate from the mainstream world. It reveals, through its characters, how young men couldn’t admit, even to themselves, that they were what society deemed perverted.” On the novel City of Night by John Rechy.
“Sometimes I think I’ve lost my nerve a little bit. I think it’s growing older, and a certain reservoir of anger literally runs out.” The Guardian interviews James Wood, author and book critic at The New Yorker, about his craft, his forthcoming novel Upstate, and the landscape of today’s literary criticism. Pair with: an essay about the greatness (and great influence) of Wood on a fellow novelist.
Guernica interviews Meghan Daum about The Little House on the Prairie, finding a home in Los Angeles and the necessity of restructuring the conversation about children. Pair with our own Hannah Gersen‘s review of her essay collection The Unspeakable and Edan Lepucki‘s take on Selfish, Shallow and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids.
“I don’t think writing the truth makes you strong by default. I think it makes you vulnerable, which in turn can make you strong.” Amy Jo Burns writes for Ploughshares about the difficulties of “Writing About Other People” and the upcoming publication of her debut memoir, Cinderland.