On Monday night Cheryl Strayed, also loved as The Rumpus‘s “Dear Sugar” advice columnist, was celebrated at Housing Works Bookstore. Tiffany Gibert gives us the scoop in the latest installment of #LitBeat.
Wild night
Kafka Who?
When you think “Franz Kafka,” it typically isn’t his sunny disposition that comes to mind. According to Reiner Stach, this new collection of ephemera, however, seeks to challenge the tired, old conception of Kafka-as-tortured neurotic. Here’s a Millions review of Stach’s twin biographies of Kafka, himself.
On “Cool”
Somewhere along the way, the word “cool” became “the most popular slang term of approval in English.” Humanities has a pretty cool (hip, rad, dope, groovy, punk, hot, sweet) theory, tracing it as far back as Zora Neale Hurston’s collection Mules and Men, and the time when “cool was black… cool was jazz.” (Related reading: the most excellent Hepster’s Dictionary (pdf) of 1939 jive talk, and our own history of the slang word “like.”)
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Amazon: criticism you can count on
A study of the top 100 non-fiction titles between 2004 and 2007, and the major media and Amazon reviews for each title, yields some fascinating results: “experts and consumers agreed in aggregate about the quality of a book.”
DFW PSA
PSA: The ebook of Infinite Jest now goes for just $4.99. (Might just be a limited time thing.)
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You Tell Me What to Say
“I’m trying to think of something really suitable to say. What do you think I should say? Look, you tell me what to say and I’ll say it.” That was Doris Lessing, who found out she’d won the Nobel Prize from a group of journalists who surrounded her when she was exiting a taxi. NPR has that great audio, plus other reactions of former Nobel literature laureates, including Toni Morrison, William Faulkner, and Mario Vargas Llosa.
Our own fearless editor-in-chief, Lydia Kiesling, admires Lessing, but felt rather differently about reading one of her most famous works, The Golden Notebook: “Among other things, she did an uncanny job of creating a malaise that was actually infectious. It oozed right off the page and into my own spirit.”
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“Would we also just weep and walk away?”
In an effort to get consumers to think more consciously about the “human cost” of commercial sugar production, artist Kara Walker has installed “Subtlety,” a large-scale public sculpture in Brooklyn’s iconic Domino Sugar Factory. Meanwhile, Edwidge Danticat explores contemporary labor conditions in the Dominican Republic’s cane fields.
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