On Monday night Cheryl Strayed, also loved as The Rumpus‘s “Dear Sugar” advice columnist, was celebrated at Housing Works Bookstore. Tiffany Gibert gives us the scoop in the latest installment of #LitBeat.
Wild night
The Story Prize 2011 Shortlist
The Story Prize has announced its nominees for the 2011 prize, We Others by Steven Millhauser, Binocular Vision by Edith Pearlman, The Angel Esmeralda by Don DeLillo. Our review of the latter was published today.
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27 letters
Here’s a letter that no longer finds itself at home in our alphabet, & yet we use it everyday.
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Brave New Books
“In the new environment, science fiction writers needed new formulas – or even better, needed to have the courage to operate without pre-cooked recipes of any sort. In short, science fiction needed to grow up and take on the adult world, in all its messiness and uncertainty.” Ted Gioia pens a paean to sci-fi writers of the 1960s. Among his recommendations (including a reading list of 64 works): Camp Concentration by Thomas M. Disch, whose larger oeuvre is considered here.
Why Reread?
Nabokov once claimed “there is no reading, only rereading.” In an essay for the New York Review of Books, Tim Parks pursues the “key to rereading,” taking The Waste Land and Mrs. Dalloway as his test cases.
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Beyond the Individual Self
Momina Mela writes on the gendered misconceptions about confessional poetry. As she puts it, “In comparison to female confessional poets, male confessional poetry has been regarded with less ridicule as accusations of being merely therapeutic. This is often due to the detachment which occurs with the adoption of personas, even though female poets such as Anne Sexton, Sylvia Plath and even Sharon Olds integrate the use of personas in their work as well.” Also check out this Millions essay on the poetry of mental unhealth.
Where Glowsticks Are Currency
In this month’s issue of GQ, exemplary road-tripper Gideon Lewis-Kraus (of A Sense of Direction fame) pays a visit to the Electric Daisy Carnival, where the raves of the ‘90s have yet to go out of fashion.
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