Three cheers to the return of storied magazines! This month, The Baffler and Collier’s made triumphant returns after lulls of 2 and 55 years, respectively. Meanwhile, over at Johns Hopkins Magazine, Paris Review editor Lorin Stein explains why “literary magazines still matter.” And, if you know anyone with some extra cash, they could become the next owner of Variety.
A white male poet recently revealed his controversial strategy of using an Asian pseudonym to place his poems, which were eventually selected for inclusion in the Best American Poetry anthology for 2015. Brian Spears writes for The Rumpus about the complications of diversity in publishing, Affirmative Action, and the ethics of poetry submission systems.
“The most, the best, we can do, we believe (wanting to give evidence of love), is to get out of the way, leave space around whomever or whatever it is.” This excerpt from John Cage’s journals, forthcoming as Diary: How to Improve the World (You Will Only Make Matters Worse), is as baffling as it is beautiful.
Considering his first novel was a chronicle of gang life in the Bronx, it makes sense that the new book by Richard Price is a tale of the NYPD. In the latest issue of The New Yorker, Joyce Carol Oates reads the novel, remarking that it “retains a residue of Price’s absorption with his rough urban settings and with the phenomenon of a particular sort of masculinity.” Related: our own Garth Risk Hallberg on Price and his crime fiction contemporaries.
The Economist digs into the stupid “debate” over Philip Roth’s International Booker win.