Three cheers to the return of storied magazines! This month, The Baffler and Collier’s made triumphant returns after lulls of 2 and 55 years, respectively. Meanwhile, over at Johns Hopkins Magazine, Paris Review editor Lorin Stein explains why “literary magazines still matter.” And, if you know anyone with some extra cash, they could become the next owner of Variety.
Welcome Back, Y’all!
Reconsidering Jane
A scholar studying Jane Austen’s original manuscripts finds “we have simply overestimated her as a perfect English stylist at the expense of how experimental she was.”
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PEN World Voices Festival
I spent last weekend as a correspondent for the PEN World Voices Festival of International Literature. As such, I covered two events for the organization: Friday night’s ninth annual Translation Slam and Sunday afternoon’s Arthur Miller Freedom to Write Lecture featuring Sonia Sotomayor. (I also submitted a pretty sweet author photograph, if I do say so myself.) For full multimedia coverage of the entire festival, check out the PEN Live Tumblr.
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Mapping the Territory
“No map can be a perfect representation of reality; every map is an interpretation, which may be why writers are so drawn to them,” Casey N. Cep writes about the fictional map at The New Yorker. Pair with: Our review of Where You Are.
Bigwig Book Collectors
Gary Shteyngart, Philip Pullman, James Wood, and three other literary bigwigs share their book-collecting habits.
On a Different Note
And now for something completely different, a book review of Shaq’s new memoir.
Move Over, Paula Deen
The late Colonel Harland Sanders (of Kentucky Fried Chicken notoriety) is the author of a newly unearthed manuscript “chock full of homespun anecdotes and life lessons from Sanders, who struck it rich late in life. It also includes a heaping helping of his favorite personal recipes.” The manuscript will be published online within the next year.
Always Label Your Milk
Among other things he left out of his famous poem, William Carlos Williams failed to give us any details about the kitchen in which he ate plums. At The Toast, Mallory Ortberg rewrites the poem so it takes place in a communal dorm kitchen.
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