Every now and again, book designers allow themselves a little fun. This is one of those times. Behold David High’s cheeky cover for Florence Williams’ Breasts: A Natural and Unnatural History, out this May from W. W. Norton & Co. (via)
E-book pricing wars continue. Sony tries to hit the Kindle where it hurts by offering cheaper e-books. Meanwhile, $0 is becoming an important price point at the Kindle store.Sam Anderson hates Thomas Pynchon.An indie bookstore fan uses our bookstore tour as a jumping-off point for a literary day in Manhattan. You can too.
There's a lot of (justified) talk about the power of reading, but simply owning a book can be meaningful. Mabel Rosenheck considers Walter Benjamin's perspective on book ownership - "[it] is the most intimate relationship that one can have to objects. Not that they come alive in him; it is he who lives in them." - and her own experiences with book collecting in San Francisco in an essay for The Toast. Pair with Anne Fadiman's essay on relationships, books, and relationships with books, "Marrying Libraries."
“The late 1920s found him in Hollywood ('This place is loathsome') drowning, stingless, in MGM honey, while doing hack work on a silly Marion Davies vehicle. His descriptions of reptilian studio fauna make for delicious reading.” At The Daily Beast, a look at P.G. Wodehouse: A Life in Letters.
"In noir, the problem is not an individual: the problem is the world." Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here's a piece from The Millions's Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
“The New York Times said goodbye to roughly a hundred editorial staffers, with a similar number gone from the Wall Street Journal. Condé Nast might be shuttering Details and Self and will possibly unleash a bloodbath in the fall. Time Inc., Meredith Corporation, and Prometheus Global Media—owner of the Hollywood Reporter, Billboard—and other outlets have all recently cut costs.” Noah Davis on online journalism and the current state of affairs for writers, over at The Awl. Pair with Kate Angus's essay on making money as a poet.