New this week are Nick Harkaway’s Angelmaker (reviewed here), Nescio’s Amsterdam Stories (reviewed here), Jonah Lehrer’s Imagine: How Creativity Works, Jack Kerouac’s “lost novel” The Sea is My Brother, and a new collection of poetry from Jonathan Galassi, Left-Handed.
“So much of recovery is a fight against exceptionalism—that necessary act of saying, What I’ve lived has been lived before, will be lived again, is nothing special but still holds meaning, still holds truth.” Chris Kraus interviews Leslie Jamison about recovery, memoir, and her forthcoming title, The Recovering, for The Paris Review. Pair with: our interview with Jamison.
Today is Haruki Murakami’s birthday, so what better day to announce the title of his next work, Kishidancho Goroshi (Killing Commendatore)? The novel, which is divided in two parts – Arawareru Idea (Emerging Idea) and Utsurou Metaphor (Moving Metaphor) – is slated for a late February release in Japan. As of this writing, very little is known about the novel’s plot.
New this week: The Good Lord Bird by James McBride; Night Film by Marisha Pessl; The Twelve Rooms of the Nile by Enid Shomer; The Daughters of Mars by Thomas Keneally; and Holy Orders, a new Quirke novel by John Banville/Benjamin Black. For more on these and other upcoming releases, check out our Great 2013 Second-Half Book Preview.
Though Kim Gordon is mostly known for her time in Sonic Youth, she’s also an artist and writer, one who’s racked up art projects and publications over the course of the past forty years. At Full-Stop, Hestia Peppe reviews Is It My Body?, a new collection of Gordon’s essays and other written work. It might also be a good time to read our own Anne K. Yoder on punk and revolutionary nonfiction.