After three years of judging, and now “like one of those guys who comes back after graduation and loiters creepily around campus, remembering [his] faded glory days,” our site’s editor-in-chief C. Max Magee finally made it into the booth for the zombie round in The Morning News‘ Tournament of Books. Check out the perils of “the ARC onslaught” and which books were missing from the tournament altogether.
Smithsonian takes a look at Byliner and The Atavist and what the success and innovation of these two companies can tell us about the hopeful state of longform narrative journalism. Fast Company's Co.Design ran an image heavy interview with The Atavist's developer, Jefferson Rabb. I'd add Long Reads to the list too.
“[Ludmilla] Petrushevskaya doesn't write about isolated acts of depravity; she writes about universal ones,” says Michael Robbins in his review of There Once Lived a Girl. “What's scary about her narratives is their implication that only the thinnest film, which might rip at any time, separates us from the chaos and breakdown they describe.” Our own Janet Potter also reviewed Petrushevskaya’s work this week, and she focused on the romantic hopes of its characters. "What’s remarkable," Potter writes, "is not the love they find, but the fact that they’re looking for it."
“We are not trying to point fingers or prosecute. I am just trying to solve the last case of my career. There is no statute of limitation on the truth.” A retired FBI agent has launched a cold case review into identifying those who may have betrayed Anne Frank's hiding place to the Gestapo in 1944, reports The Guardian.
“These poets foreground elaborate and mythically transgressive evocations of eros in which stylistic excesses counter the violent excesses of homophobia and racial marginalization. The queer Baroque is, fundamentally, a poetry of radical ambivalence.” On Prelude to Bruise by Saeed Jones.