How The Daily Show may have an advantage over mainstream news, by virtue of its refusual to take “View from Nowhere.” Conor Friedersdorf makes the compelling case that comedy writers, with their eyes rooting out the absurd in the world, can put give the news some much needed perspective.
More amusement has been prompted by The History of Love author Nicole Krauss’s arguably over-the-top blurb for David Grossman’s To the End of the Land: “To read it is to have yourself taken apart, undone, touched at the place of your own essence; it is to be turned back, as if after a long absence, into a human being.” Following Guardian’s subsequent contest for who can write the most absurdly laudatory blurb for a Dan Brown novel, Laura Miller at Salon dissects why author endorsements are so unreliable.
Ayobami Adebayo is interviewed by Abigail Bereola for Hazlitt and it's fantastic. They discuss proverbs, romantic love, sickle cell anemia and writing your first book. "At the risk of sounding very narcissistic, I’m going to say I write for myself ultimately. And maybe my sister. I think that when I’m working, it’s very difficult for me to think about an audience, perhaps because sometimes it gets a bit overwhelming. I’m trying to figure out so many things that I really don’t start thinking about the idea that other people might read this thing until, 'Oh my God, it’s publication day' and I have a panic attack like 'Oh my God, what have I done?' I think the awareness of an audience is something I’m just coming into because this is a first book."