The New Yorker has made six poems that Adrienne Rich published in the magazine available online.
“The ringing, defiant poetry of Adrienne Rich.”
New Murakami on the Way
Today is Haruki Murakami’s birthday, so what better day to announce the title of his next work, Kishidancho Goroshi (Killing Commendatore)? The novel, which is divided in two parts – Arawareru Idea (Emerging Idea) and Utsurou Metaphor (Moving Metaphor) – is slated for a late February release in Japan. As of this writing, very little is known about the novel’s plot.
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Caw, Says the Crow
Max Porter’s Grief Is the Thing with Feathers is “the book of the moment,” according to the staff of Houston-based Brazos Bookstore. For other recommended reading, don’t miss our Great Second-Half Book Preview.
Anna Karenina in Somalia
Leo Tolstoy's Anna Karenina has changed readers' lives for generations, but for Mohamed Barud, the epic novel saved his life.
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Much Ado About Baltimore
One consequence of creating a beloved show is that you’ve got to deal with superficial paeans to it. David Simon has to know this, but he still seems cranky in this interview. Of course I’m not saying he can’t be chagrined by Grantland or Vulture’s recent TV brackets (which Simon singled out in subsequent remarks), but when he says he’s “it’s wearying” for people “to be picking [The Wire] apart now like it’s a deck of cards or like they were there the whole time or they understood it the whole time,” it’s a bit harder to take his side, and you feel like he hasn’t watched Erlend Lavik’s sophisticated and thorough video essay about The Wire‘s visual style. Surely analyses like this (or Žižek‘s, which we’ve mentioned before) deserve due credit.