The Millions turned nine years old this past weekend. I want to thank the writers, editors, and interns for another great year. And I especially want to thank our smart, passionate, and engaged readers for continuing to make The Millions such a fulfilling project for all of us.
“Love / is the only fortress / strong enough to trust to.” Mary-Kay Wilmers for the London Review of Books reviews Holding On Upside Down: The Life and Work of Marianne Moore. In the book, Moore’s slightly-bizarre domestic life is examined with fairness and honesty alongside her impressive body of work. If poetry is your thing, check out our On Poetry column for more.
Benjamin Anastas has bid goodbye to the Twitter Village, and he thinks more writers should do the same. “There is a longing built into our online lives that can lead us to healthy attachments with multiple partners, a kind of polyamory of the mind, but it can also encourage the furtive transmission of waxed-chest photos and cock-shots,” he writes. “These are extreme examples of the kind of lonely misfires that Twitter allows, but I felt the temptation to seek comfort from my Twitter feed often enough to realize that it was only a matter of time before I did something embarrassing.”
2011 is the year of television’s oral history. On the heels of Those Guys Have All the Fun: Inside the World of ESPN, published last May and reviewed by n+1 here, you can now check out I Want My MTV: The Uncensored Story of the Music Video Revolution. You can whet your appetite with an excerpt here. If television’s not your thing, you can also check out New York Magazine‘s oral history of the Upright Citizens Brigade, and of the founding of Ms. magazine.
Last week, I pointed readers to an article about Michael Faber’s latest book and his decision to quit writing fiction. Now, in the Times Book Review, Marcel Theroux sizes up the novel, writing that “the reader is drawn through the book effortlessly, by the combination of incidental strangeness and the suspenseful handling of plot.”
As the publication date nears for Robert Caro’s latest Lyndon Johnson installment, The Passage of Power, it’s a good idea to brush up on your history of Caro’s career. Enter Charles McGrath and his great portrait of one of the most prolific biographers of all time.