A decade in the making, Val Kilmer’s one-man play about Mark Twain, Citizen Twain, will finally open this weekend. The Hollywood Reporter caught up with the actor (at a cemetery?) to talk about “his career and the landscape of America.”
“Storytelling is an indispensable human preoccupation, as important to us all—almost—as breathing. From the mythical campfire tale to its explosion in the post-television age, it dominates our lives. It behooves us then to try and understand it.” On the inherent sameness of stories with John Yorke from The Atlantic.
Now that the Library of Congress is shut down, it’s as good a time as any to remember why we have it in the first place. At Brain Pickings, Maria Popova looks through a collection of vintage catalog cards, two of which include early entries for A Room of One’s Own and Ulysses.
“Think the kennel partner was a man? Think he was, in Braverman’s telling, threatened by her success? You are correct. There are so many stories like this, in Double Bind, of ambition built up and then put in its place: the high school classmate who sneered to Roxane Gay, when he learned that she’d been accepted to Yale when he had not, ‘affirmative action.'”
It’s impossible to deny that memoir writing is having a bit of a moment, as more and more major books delve deeply into authors’ lives for material (here’s looking at you, Knausgaard). But what happens when memoir meets straight history? According to The Canadian Press, both genres only become more interesting. “[People] think non-fiction is just boring, fuddy-duddy history books, [but] if you look at Canadian literature right now, non-fiction is incredibly exciting.”