Neil deGrasse Tyson wants us all to keep dreaming. In the first episode of his “We Stopped Dreaming” series, he elucidates the reasons why. And, in the off chance that this doesn’t convince you, perhaps his “Most Astounding Fact” will.
Space is Awesome
“Gaza, Timna, my Valley girl / who spilled me in broad daylight.”
James Lasdun, whose forthcoming memoir was covered by yours truly in our Great Second-Half 2012 Book Preview, has a new poem in Poetry Magazine. Read it if you like cool things.
Ishiguro + Gaiman + Genre
“Why are people so preoccupied? What is genre in the first place? Who invented it? Why am I perceived to have crossed a kind of boundary?” Kazuo Ishiguro and Neil Gaiman discuss The Buried Giant, fantasy and genre for the New Statesman. Pair with our own Lydia Kiesling‘s review of the novel.
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Wild Thing
Lord of the Flies is perhaps the best example of a book that forces readers to confront how wild we are. But there’s a whole corpus of books that accomplish the same thing. In The New Statesman, Erica Wagner writes about Melissa Harrison’s At Hawthorn Time and Sarah Hall’s The Wolf Border.
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Strange and New
Last week, I pointed readers to an article about Michael Faber’s latest book and his decision to quit writing fiction. Now, in the Times Book Review, Marcel Theroux sizes up the novel, writing that “the reader is drawn through the book effortlessly, by the combination of incidental strangeness and the suspenseful handling of plot.”
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Place Your Bets
This year’s Nobel in literature will be announced in early October, so there’s still plenty of time to get in on the gambling! Currently leading in all the over/unders? Haruki Murakami, whose book covers we considered here.
Modern Makerspaces
Recommended Reading: Public libraries are becoming gateways to technological invention.
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Tuesday New Release Day: Phillips, Tillman, Bender
Probably the biggest literary debut the week is Arthur Phillips’ The Tragedy of Arthur, a faux memoir about the surfacing of a long-lost Shakespeare play. Also out this week is the first book from former Soft Skull head Richard Nash’s new venture Red Lemonade: Lynne Tillman’s Someday This Will Be Funny. And, finally, now out in paperback is Aimee Bender’s The Particular Sadness of Lemon Cake. (Our two reviews)