New this week: Paul Auster’s latest, Sunset Park; a new collection of short stories from Stephen King called Full Dark, No Stars; The Memory Hole, a memoir by the historian Tony Judt who recently died from ALS (the essays collected here appeared in recent months in the New York Review of Books); and the latest obligatory obfuscatory presidential memoir Decision Points.
“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
“Bengali children’s fiction’s limitless supply of ghost stories is matched by little other than its readers’ appetite for it,” writes Siddharthya Swapan Roy. “Anthologies dedicated to ghostly thrills come out with unfailing regularity and every publishing house that does not wish to upset its child readership pays due respects to ghosts and their stories.”