Gearing up for his forthcoming retrospective at the Tate Modern, Damien Hirst told the Guardian that he “still believe[s] art is more powerful than money.” This from the man whose tiger shark and formaldehyde sculpture “The Physical Impossibility of Death in the Mind of Someone Living” sold for $12 million– the figure that Don Thompson reports in The $12 Million Stuffed Shark.
“Literature can use secrecy as a device to ensnare readers, to pull the wool over their eyes or to reveal to them things that the characters can’t see. Whether large – businessman by day, serial killer by night; or small – where a character silently yearns for an ex-lover.” Eli Goldstone compiles a list for The Guardian of 10 novels whose characters are concealing big secrets, including a few lesser-knowns like Shirley Jackson‘s We Have Always Lived in the Castle and New Finnish Grammar by Diego Marani.
Recommended Reading: Over at Electric Literature, Lori Huth writes about Jeanette Winterson and contemporary war metaphor: “I wanted to feel powerful emotions commensurate with the horror of the story behind the images. I wanted to feel bewildered, and to lament, but instead I felt numb.”
“I’ve been hailed as a hero (hipster poets love me), gotten the rock star reception (by research librarians), and been dismissed with derision, thought possibly to be deranged,” says Jon Danzinger. So what’s his job, you might ask? He’s a researcher for the Oxford English Dictionary.
At the LA Times, Scott Esposito gives David Lipsky‘s Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace a mixed review.
If you’re in need of a great read this week, you’ll be glad to know that Byliner has compiled a list of 101 spectacular nonfiction stories from 2011. They run the gamut from investigative to personal to borderline trivial: There’s Mac McClelland’s incredibly daring and disturbing essay on working through PTSD through controlled sexual violence, alongside Jon Mooallem’s history of the high five. Happy reading!