In April’s Atlantic, Joseph O’Neill tries to separate Philip Roth from his perpetual themes of family, Newark, and Judaism, and from his many authorial personae. The task proves unmanageable, but the attempt sheds light on the man destined to become Roth’s greatest critic: Roth himself.
Nowadays, Lord of the Flies is a byword for savagery, a book that illustrates more potently than any other just how low it’s possible for humanity to sink. In The Guardian, Robert McCrum ties the book’s conception to the second World War, arguing that its view of the world was “unimaginable” without Nazi Europe.
No need to bake sugar cookies this holiday season. Try Nietzsche's angel food cake recipe instead. "Allow the angel to reach room temperature. Then kill it," Rebecca Coffey writes the recipe for McSweeney's. You can find more literary cooking tips in Coffey's Nietzsche's Angel Food Cake: And Other Recipes for the Intellectually Famished.
"If what a bookstore offers matters to you, then shop at a bookstore. If you feel that the experience of reading a book is valuable, then read the book. This is how we change the world: we grab hold of it. We change ourselves." April 30th is Independent Bookstore Day. Celebrate early with a revisit to this 2012 essay by Ann Patchett on the resilience of the indie bookstore. Here's an interview with Janet Geddis, founder of Avid Bookshop in Athens, GA, on deciding to become a bookseller.
"And that might be the best way to understand Erdrich’s artistic project: as a celebration of beauty and a testament to the redemptive power of art — which, of course, includes storytelling." Rumaan Alam interviews Louise Erdrich about her illustrious writing career for Buzzfeed Reader. Erdrich's newest novel Future Home of the Living God was featured in our November Preview.
To get a full sense of the legacy of William Blake, you need to see his paintings alongside his famous poems. The Wordsworth contemporary did much of his best work -- including the covers of his own collections -- with a brush. At the New York Review of Books blog, Jenny Uglow pays a visit to a new exhibition at Oxford.