In April’s Atlantic, Joseph O’Neill tries to separate Philip Roth from his perpetual themes of family, Newark, and Judaism, and from his many authorial personae. The task proves unmanageable, but the attempt sheds light on the man destined to become Roth’s greatest critic: Roth himself.
Roth v. Roth v. Roth
Fail Better
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What’s In A Name?
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Toni Morrison on Love, Forgiveness, and Race Relations
Toni Morrison talked about writing, race relations, and journalism in a conversation with Hilton Als at the New Yorker Festival last week, and the highlights are available online. Als has also written an illuminating profile of Morrison for the magazine.
“I wanted to write about the feeling of life. Not life as an intellectual process, or a concept, but as a feeling.”
Tom Murphy, arguably Ireland’s greatest living playwright, joins The Paris Review for an interview about his life, his influences, and his rage.
Jay-Z and Michiko K.: Kindred Spirits
Michiko Kakutani‘s generous and oddly moving review of Jay-Z‘s Decoded – in which she seems to find a kindred spirit – almost makes me want to take back all the mean things I’ve said about her. I still don’t trust her judgment, but the review’s worth reading just for the mental image of her in big headphones, nodding along to “Streets Is Watching.” Go ‘head, shorty.
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Contemporary Arabic Novels
Claudia Roth Pierpont writes about the contemporary Arabic novel in this week’s New Yorker, highlighting Iraqi, Palestinian, and Egyptian examples.
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