Caleb Crain has strong reservations about the New York Public Library’s proposed $350 million remodel, or, in his view, the library’s shift away from “its research mission.” To put his concerns bluntly, he asks, “What problem is the Central Library Plan (CLP) meant to solve?” He then vividly enumerates the problems with the proposal. For those of you wondering what can be accomplished with an essay, there’s this: Mr. Crain’s got him landed on one of the project’s advisory panels as a result.
Conversations and Connections is a Philadelphia conference offering editors, writers and publishers a chance to meet one another in a “comfortable, congenial environment.” The full day’s events are organized by Barrelhouse, and this year’s keynote speaker is The Odds author Stewart O’Nan.
“It can not be that I monopolize / The making of the songs that give you praise / Or that such pools as are your dearest eyes / Have just one bather through the unclear days. / Then, let me take my place amid the pack, / If I so pack my songs with your rare worth / There were no quality they then should lack / But they were bettered by that happy death.” A previously unpublished Ezra Pound sonnet selling at auction is always newsworthy–especially when it fetches nearly $12,000. Here is a related Millions piece about the difficult poetry of Ezra Pound, John Berryman, and Ted Berrigan.
It’s easy to find essays targeted at writers that argue that rejection isn’t really that bad. In her new book, How to Not Write, Lisa Carver takes the argument a step further, as she says that not only does rejection not hurt you, it “frees you” and “facilitates action.” At The Rumpus, an excerpt from the book.
Anaïs Nin had a lot to say about writing erotic fiction. Notably, she was unwilling to “leave out the poetry” and “concentrate on sex” in its place, despite repeated requests from her anonymous client to do just that. On a lighter note, Seth Fried also has some advice for aspiring writers of erotica. Quick, somebody get both of these articles to E. L. James.