Ryeberg, an online magazine of writers curating YouTube videos, has a handy guide to creating an ebook in 8 easy steps. Step number 2: “Transform the information from the tape into static cosmic energy.”
Recommended Reading: Jesse Eisenberg’s stream of conscious New Yorker short story, “A Short Story Written With Thought-to-Text Technology.” “When he was younger he used to stay late after school on Fridays and come in early on Mondays, a pattern his mother referred to with equal parts admiration and disdain as ‘studying overtime.’ Jesus, I’ve written another loser.”
Actor and humorist Nick Offerman at “By The Book” on choosing George Saunders to write his hypothetical life story: “I think [Saunders] would embarrass me by telling the justifiable truth, but with such élan that I would have to shrug and say, ‘It was worth it.’ If anybody could pull it off, I believe Mr. Saunders would have the tools and talent necessary to render the woodshop traumas of sandpaper and spokeshave, the roller coaster dynamics of a character actor’s life in showbiz, and my relentless penchant for filling a room with noxious gases into a palatable narrative. George — if you’re reading this and you’re up for it — before you dive in, I would just like to say that I think you’re very handsome.”
Elena Ferrante’s introduction to the Folio edition of Sense and Sensibility is available at The Guardian. She describes the experience of reading Jane Austen as a girl. “At the time, I was enthralled by the great male adventure novels, with their stories that ranged all over the world, and I wanted to write such books myself: I couldn’t resign myself to the idea that women’s novels were domestic tales of love and marriage. I was past 20 when I returned to Austen. And from that moment not only did I love everything she had written but I was passionate about her anonymity.”
“We have all heard the claim, ‘the victors write the textbooks.’ Among the many ways to unpack the phrase is this: that once upon a time history was bound to and relied on communally agreed upon facts. That is to say, there was not a culture of record the way there is now. There were not cameras and photographs capturing all human movement or digital archives where information was stored in ‘clouds.’ While our methods for remembering have evolved, the ethical question at the heart of recollection remains: how do we tell about the past and who gets to tell it?” Lindsey Drager writes for the Michigan Quarterly Review about memory and storytelling.